musiccaps_details (view)
7 rows where musiccaps_aspects contains "instrumental", musiccaps_names contains "Effects unit", musiccaps_names contains "Guitar", musiccaps_names contains "Plucked string instrument" and musiccaps_names contains "Reverberation"
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video | youtube_link | musiccaps_caption | youtube_published | youtube_channel | youtube_description | musiccaps_names | musiccaps_aspects | musiccaps_author | youtube_id | musiccaps_rowid |
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Mr. Black Eterna Gold Modified Reverb | This audio clip features the end of an instrument with a lot of reverb. This additional reverb gives the ending an epic feel. At the end of the clip, a guitar chord is struck. There are no other instruments in this song. There are no voices in this song. This song can be used to promote a reverb pedal. | 2014-05-29T21:49:53Z | ProGuitarShopDemos | Buy Now: https://goo.gl/iaBJkm Mr. Black Eterna Gold Modified Reverb Presented by Mike Hermans Mr. Black has changed the game. Again. Using the foundation of the widely-regarded Eterna reverb, the latest and final word on shimmer reverb is here. The algorithm of the original has been overhauled to deliver a feature set worthy of the color gold—from impossibly long decays to astonishing shimmer swells. If you've been on the market for a shimmering reverb but haven't been able to make a decision, congratulations. This is the end of your journey. The decay time of the original has been vastly expanded upon. The original Eterna's decay stands at 40+ seconds. For those players that require a little more, the Eterna Gold Modified has widened that decay time to over a full minute of opulent reverb. The reverb engine itself has also been thoroughly tweaked to change the amount of reflections created after picking, creating a fuller, richer base sound for the decay to feast upon. As the decay knob is turned counter-clockwise, the Eterna Gold Modified starts to shimmer-swell, and when the decay knob is dimed, swelling is also at maximum. Much like the original, a precise amount of shimmer can be mixed in with the shimmer knob, from lush bottomless verb to a massive sacred chorale. The pedal is wired for true-bypass switching and is set up for standard 9vDC operation. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion"] | ["epic song", "instrumental", "no voices", "instrument reverb", "guitar strum", "minimal instruments", "no percussion"] | 0 | 3zntWbS9XeI | 527 | |
EFFECTS 101: Overdrive | This is a recording of an instrumental jam. There is a blues type solo being performed on an overdriven electric guitar. The guitar has an 80s sound. This recording could be sampled for use in beat-making or as an advertisement jingle. | 2010-02-19T08:05:06Z | rolandmedia | Overdrive is one of the most used guitar effects. As Johnny DeMarco shows, overdrive is used in virtually every kind of guitar music and youll see this kind of pedal in nearly every stage or studio. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion", "Bowed string instrument"] | ["jam", "instrumental", "single instrument", "overdriven electric guitar", "guitar solo", "80s sound", "blues"] | 9 | 40i3_JH6FYw | 530 | |
Fender Deluxe Reverb '65 Reissue Cranked up a bit! | This amateur recording features an overdriven guitar playing the main melody. This is a low quality recording and the volumes of the instruments are not professionally mixed. The overdriven guitar is loud. A piano plays a couple of notes in the beginning. The guitar is accompanied by percussion playing a simple beat in the background. The bass plays a blues style bassline. The tempo of this song is slow. The song is based on blues style. | 2012-08-01T12:50:32Z | Sam Rhodes | Just using my Gibson 339 into a Fender Deluxe Reverb Reissue turned up to 7 with a Dr Z Brake Lite on 4. | ["Reverberation", "Tapping (guitar technique)", "Effects unit", "Electric guitar", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["amateur recording", "blues melody", "overdriven guitar", "vibrato", "blues bassline", "simple percussion", "slow tempo", "no voice", "instrumental", "piano notes"] | 0 | Qe71m678qEU | 2632 | |
Strymon Flint | This audio features an electric guitar. This guitar is played through an effects pedal adding reverb to the sound. A guitar lick is played with one open string and the melody on the higher register of another string. There are no other instruments in this song. There is no voice in this song. This song can be played in an instructional video on effects pedals. | 2013-04-05T11:42:22Z | Prymaxe | $299.00 https://www.prymaxe.com/products/strymon-flint-tremelo-reverb Strymon Flint Tremelo/Reverb CALL TO ORDER 1-855-PRYMAXE (779-6293) The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair. Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details. Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format. Strymon Flint Tremelo/Reverb Features: Three hand crafted tremolo algorithms faithfully deliver classic tremolo experiences: '61 Harmonic Tremolo,… | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Electronic tuner", "Plucked string instrument", "Distortion"] | ["electric guitar", "effects pedal", "no voices", "instrumental", "guitar lick", "no other instruments"] | 0 | pL71P2hVjMc | 4702 | |
Electro Harmonix CATHEDRAL stereo reverb guitar effects pedal demo w Les Paul & Blues Jr Amp | This is a gear showcase jam. The electric guitar is being played initially without and then with the effect of a reverb pedal. There is a groovy feel to the solo that is being played. This piece can be sampled to be used as an advertisement jingle or to be used in beat-making. | 2009-10-02T01:41:10Z | gearmanndude | http://www.ehx.com The Cathedral, by electro-harmonix. Super versatile reverb with some sweet presets. The reverse setting is my favorite. Yes, I still hate reverb, but have given in to the fact that I must demo them anyway. I had only 7 minutes left on my camera tape, so I did a quick run through of the presets to show what could be done with the box of echos. I used my 59 historic les paul and a lovely Fender blues junior amplifier. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion"] | ["gear showcase", "jam", "no singer", "instrumental", "electric guitar", "effect pedal", "reverb", "easygoing", "groovy"] | 9 | pTzINk_nVHg | 4713 | |
TC Electronic Flashback X4 | This is a gear showcase jam. The only instrument that is being played is a clean sounding electric guitar playing a mellow solo. A delay effect pedal is applied on the guitar. The atmosphere is calm and dreamy. This piece could be used in an advertisement jingle. It could also be playing in the background at a rock bar. | 2012-09-27T17:07:00Z | ProGuitarShopDemos | Buy Now: https://goo.gl/7J79Xj This is the TC Electronic Flashback X4, an expanded version on the versatile flashback delay! The X4 maintains a simple layout and intuitive controls that make for quick and accurate time changes. All previous TC Flashback delay modes are included along with 2 new tape flavors, Tube and Space. The Flashback X4 provides 4 Toneprint slots which you can load via USB or beam with your smart phone app. Secondly, there are 3 presets buttons which easily let you store and recall every parameter. User Presets may be from any mode, including Toneprints. Tap tempo is now included with a dedicated switch and a familiar subdivision toggle allows for easy selection between quarter, dotted eighth and dual delay sounds. Finally, an expression input allows for single or multi parameter manipulation and MIDI connectivity let's you sync other devices and access presets remotely. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["jam", "no singer", "instrumental", "single instrument", "electric guitar", "guitar solo", "effect pedal", "delay", "mellow", "calm", "dreamy", "easygoing", "simple tune"] | 9 | s1l4Zjqoqdg | 4915 | |
Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal (Demo by Bill Ruppert) | This is an instrumental progressive rock music piece. There is an electric guitar playing complex tunes and chords with a pitch shifting effect. There is a psychedelic feel to this track. Parts of this recording could be used in an advertisement jingle. | 2014-10-07T18:11:27Z | EHX | The Electro-Harmonix Pitch Fork polyphonic pitch shifter pedal transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage. The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal. The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass. In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal’s range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork’s footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rat… | ["Reverberation", "Effects unit", "Electric guitar", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["jam", "no singer", "instrumental", "single instrument", "electric guitar", "guitar solo", "pitch shift", "complex", "psychedelic"] | 9 | s2O2xaRfje0 | 4918 |
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CREATE VIEW musiccaps_details AS select musiccaps.url as video, json_object( 'label', coalesce(videos.title, 'Missing from YouTube'), 'href', musiccaps.url ) as youtube_link, musiccaps.caption as musiccaps_caption, videos.publishedAt as youtube_published, videos.channelTitle as youtube_channel, videos.description as youtube_description, musiccaps.audioset_names as musiccaps_names, musiccaps.aspect_list as musiccaps_aspects, musiccaps.author_id as musiccaps_author, videos.id as youtube_id, musiccaps.rowid as musiccaps_rowid from musiccaps left join videos on musiccaps.ytid = videos.id;