musiccaps_details (view)
13 rows where musiccaps_aspects contains "electric guitar", musiccaps_names contains "Musical instrument", musiccaps_names contains "Plucked string instrument" and musiccaps_names contains "Reverberation"
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video | youtube_link | musiccaps_caption | youtube_published | youtube_channel | youtube_description | musiccaps_names | musiccaps_aspects | musiccaps_author | youtube_id | musiccaps_rowid |
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Steve Stevens (Billy Idol) guitar lesson & interview | This clip is an instrumental. The tempo is medium with an electric guitar solo lead. There are no other instruments used. There is an interaction between two men in the interval . The music is powerful, loud and skilled and the speech indicates that this is probably a tutorial on how to play the guitar or an interview. | 2008-06-24T02:20:17Z | bloodySunday77 | Steve Stevens, the guitarist of Billy Idol, talks about his influences and gives an insight on his song writing process, style and playing technique. He also shows how to play the basic chords of "Rebel Yell", "White Wedding", "Eyes Without A Face", "Dancing With Myself" and "Rat Race". Wonderful guy, great rock composer, amazing guitarist. Enjoy! PS. If you look very carefully, you can see the letters of those Bare Knuckle pickups on his gorgeous Les Paul. They must be the Mules (according to him, he was using them in the past) because I think the Rebel Yells did not exist at the time this video was made. (Don't take their sound as a characteristic "Mule" sound though - they put him to play through a Fender G Decn for f's sake) PS. It's an old video (probably from Guitar World) with very low resolution. Nothing I can do about that - sorry. | ["Reverberation", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["instrumental", "electric guitar", "medium tempo", "external amplification", "embedded pickups", "sonic power", "powerful", "amplified guitar", "vibrations", "dexterity", "male voices interaction", "interview", "tutorial", "guitar tutorial"] | 7 | IqGB4nQIAcQ | 1946 | |
1963 fiesta red sparkle stratocaster in 1966 deluxe reverb | This is an instrumental jam. The only instrument being played is a clean sounding electric guitar. The guitar solo has simple, groovy tunes played in an improvised manner. The atmosphere is easygoing. Parts of this recording could be sampled to be used in beat-making. | 2008-08-05T22:43:30Z | vineeth77 | an ultra rare 63 red sparkle cutsom color, all original vintage fender stratocaster, L series, a little bit fiesta red sparkle... originla frets and nut... cream tolex case, with stratp etc... lava cable van den hul and 66 deluxe reverb with 1960 P12N jensen | ["Reverberation", "Electric guitar", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion"] | ["jam", "no singer", "instrumental", "single instrument", "electric guitar", "guitar solo", "easygoing", "groovy", "clean sounding", "simple tunes"] | 9 | Kd7aHdOwh0I | 2100 | |
Fender '68 Custom Deluxe Reverb Amplifier Demo | This is the recording of a gear review video. There is a male voice describing the feel of a certain reverb amp. There is a static sound that can be heard while he is talking, because the guitar is still plugged in. A mellow tune can be heard playing from a clean sounding electric guitar in the background. | 2014-03-02T11:12:34Z | intheblues | This is the Fender '68 Custom Deluxe Reverb Amplifier. Get the best deal on this here: ► Sweetwater - https://imp.i114863.net/95yde ► Thomann - https://bit.ly/3jM7T9A (Affiliate links) Not only is it small, light, and affordable, it sounds amazing and very different to the Fender '65 Deluxe Reverb. It goes from Fender clean to "gnarly" on the "Custom" channel which offers the "Bassman Tone Stack". Both the Vintage and the Custom channel share the Reverb and Tremolo which is a feature not available on the '65. This '68 Fender Deluxe Reverb will be a fixture for my live performance and studio work. A big thanks to Dr Ric for being a part of this video demo. Amplifier Blurb: 1968 was a transitional year for Fender amps, with tone that was still pure Fender but a look that was brand new. With a silver-and-turquoise front panel and classy aluminum "drip edge" grille cloth trim, the Deluxe Reverb received a fresh new face as it remained the ideal recording and performing amp. Small, light and moderately powered, it produced big tube tone, with world-class Fender reverb and vibrato effects. For countless guitarists ever since, the Deluxe Reverb has been the go-to amp for classic Fender sound. The '68 Custom Deluxe Reverb Amp pays tribute to the classic look, sound and performance of Fender's late-'60s "silverface" amps. In a special twist, both channels boast reverb and tremolo, and the "custom" channel has a modified Bassman® tone stack that gives modern players greater tonal flexibility with pedals. The amp also features quicker gain onset and reduced negative feedback for greater touch sensitivity. The '68 Custom Deluxe Reverb's single 12" Celestion® G12V-70 speaker also delivers a more distinctively rock 'n' roll flavor. #fender #intheblues #guitars This YouTube channel participates in Affiliate programs. These programs are designed in a way for the channel to earn an income by using the links provided in the description or pinned comment section. Please note: Not all links on this Youtube channel a… | ["Reverberation", "Guitar", "Music", "Musical instrument", "Speech", "Plucked string instrument"] | ["gear review", "male voice", "talking", "amp static", "electric guitar", "mellow tune"] | 9 | MiWskwqOMrg | 2290 | |
Boss OC-3 Super Octave | This is a gear showcase jam. Firstly, the performer describes the sound effect that is achieved when the octave pedal is connected to the electric guitar. Then, he starts to play a simple tune with a crunchy sound. Parts of the recording where the performer is not speaking can be used as electric guitar samples in beat-making. | 2010-06-11T07:04:14Z | gearwire | Gearwire Labs - Stompbox Walkthrough Video: The Boss OC-3 Super Octave is an upgrade from the old OC-2, delivering pitch-shifted tones one and two octaves below normal pitch, but with a few new features and improved note stability. Features True polyphonic octave effects New "Drive" mode Guitar and bass inputs Mono and direct outputs Controls for Direct Level and Oct 1 Level Three-way Mode knob to select either Polyphonic mode, Oct 2, or Drive Control knob that affects the range of the Polyphonic mode, the level of the Oct 2 mode and the level of distortion when on the Drive mode Runs on 9V battery or adapter | ["Reverberation", "Guitar", "Music", "Musical instrument", "Speech", "Plucked string instrument", "Distortion"] | ["jam", "single instrument", "male voice", "electric guitar", "octave pedal", "crunchy", "simple tune"] | 9 | UHvYrO1IGCc | 2903 | |
ZCAT Q-MOD Pedal | The song is an instrumental. The song is medium tempo with an electric guitar playing a pleasant solo with a pedal affecting its tone. The song is a guitar effects demo. The song audio quality is poor. | 2010-09-13T19:45:04Z | ZCAT Pedals | http://zcatpedals.com/?dir=view&id=20090818194445xiVC Q-Mod is a digital multi-effects processor featuring Chorus, Flanger, Phaser, Tremolo and Reverb. | ["Reverberation", "Effects unit", "Electric guitar", "Guitar", "Music", "Musical instrument", "Chorus effect", "Plucked string instrument", "Distortion"] | ["amplifier", "pedal", "guitar solo", "slow tempo", "poor audio quality", "echoes", "relaxing", "guitar instrumental", "background music", "music demo", "guitar pedal test", "electric guitar", "guitar lead", "distortion tones", "pleasant", "instrumental music", "slow tempo", "guitar pedal tones", "soloist"] | 1 | W58kioYp1Ms | 3062 | |
Randall Kirk Hammett Signature Amp | The song is an instrumental. The tempo is slow with an electric guitar playing lead and a strong bass line in a rhythmic manner. The song is strong and mysterious like a secret agent movie theme. The song is recorded at home and has an average sound quality. The song is a music demo. | 2008-07-09T15:06:58Z | Guitar World | Guitar World's gear editor Paul Riario demonstrates the features of the Randall Kirk Hammett Signature Head and Cabinet. For more gear reviews, lessons, interviews and more check out guitarworld.com! (more) | ["Bass guitar", "Reverberation", "Silence", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["instrumental music", "slow tempo", "electric guitar", "music demo", "song fade", "reverb tones", "guitar lead", "guitar accompaniment", "strong bass line", "electric guitar demo", "guitar amplifier", "suspense", "no other instrumentation", "soloist", "guitar solo artist", "home music video", "averts sound quality", "emotional passionate", "positive", "mysterious", "secret agent man"] | 1 | kKihNQ44dDQ | 4309 | |
The Jim Kelley Reverb amplifier, demo by Pete Thorn | This music is an electric guitar instrumental. The tempo is medium with a smooth electric guitar lead harmony. The music is clear, emphatic, smooth, groovy, youthful, crisp, edgy and dominant. | 2013-03-03T20:58:20Z | Pete Thorn | An in-depth look at the Kelley Reverb head, built by J.S. Technologies Check out Pete Thorn's "Guitar Nerd" album at CDbaby.com and iTunes: http://www.cdbaby.com/cd/petethorn https://itunes.apple.com/us/artist/pete-thorn/id437846702 | ["Reverberation", "Electric guitar", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion"] | ["instrumental", "electric guitars", "medium tempo", "demonstration", "tutorial", "learning electric", "electric guitar lesson", "clear", "loud", "powerful", "empahtic", "amplified guitar", "electric guitar", "stringed instrument", "loud feed back", "blues", "rock", "jazz", "resonating", "reverb", "youthful", "groovy", "catchy riff", "smooth", "electric guitar lead", "electric guitar solo", "dense", "rich", "crisp", "edgy"] | 7 | ouVuF-y8bog | 4664 | |
Strymon Flint | This audio features an electric guitar. This guitar is played through an effects pedal adding reverb to the sound. A guitar lick is played with one open string and the melody on the higher register of another string. There are no other instruments in this song. There is no voice in this song. This song can be played in an instructional video on effects pedals. | 2013-04-05T11:42:22Z | Prymaxe | $299.00 https://www.prymaxe.com/products/strymon-flint-tremelo-reverb Strymon Flint Tremelo/Reverb CALL TO ORDER 1-855-PRYMAXE (779-6293) The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it's way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair. Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details. Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format. Strymon Flint Tremelo/Reverb Features: Three hand crafted tremolo algorithms faithfully deliver classic tremolo experiences: '61 Harmonic Tremolo,… | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Electronic tuner", "Plucked string instrument", "Distortion"] | ["electric guitar", "effects pedal", "no voices", "instrumental", "guitar lick", "no other instruments"] | 0 | pL71P2hVjMc | 4702 | |
Electro Harmonix CATHEDRAL stereo reverb guitar effects pedal demo w Les Paul & Blues Jr Amp | This is a gear showcase jam. The electric guitar is being played initially without and then with the effect of a reverb pedal. There is a groovy feel to the solo that is being played. This piece can be sampled to be used as an advertisement jingle or to be used in beat-making. | 2009-10-02T01:41:10Z | gearmanndude | http://www.ehx.com The Cathedral, by electro-harmonix. Super versatile reverb with some sweet presets. The reverse setting is my favorite. Yes, I still hate reverb, but have given in to the fact that I must demo them anyway. I had only 7 minutes left on my camera tape, so I did a quick run through of the presets to show what could be done with the box of echos. I used my 59 historic les paul and a lovely Fender blues junior amplifier. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Distortion"] | ["gear showcase", "jam", "no singer", "instrumental", "electric guitar", "effect pedal", "reverb", "easygoing", "groovy"] | 9 | pTzINk_nVHg | 4713 | |
Wampler Ego Compressor Demo | This is a recording of an electric guitar, first with a chord being strummed and allowed to ring out, then with licks being played. The guitarist plays a blues lick with the guitar producing a clean and compressed tone. | 2014-05-27T17:22:46Z | Texas Blues Alley | Demo Page: https://texasbluesalley.com/oldtonezone/tone-tuesday/wampler-ego-compressor-demo The Wampler Ego is one of my favorite go-to pedals for rhythm. If you dislike playing through a clean amp as much as I do, this is definitely a pedal you should check out. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument", "Inside, small room"] | ["electric guitar", "sustained chord strum", "blues licks", "chord ringing out", "bright blues lick"] | 3 | rrAIuGMTqtA | 4904 | |
TC Electronic Flashback X4 | This is a gear showcase jam. The only instrument that is being played is a clean sounding electric guitar playing a mellow solo. A delay effect pedal is applied on the guitar. The atmosphere is calm and dreamy. This piece could be used in an advertisement jingle. It could also be playing in the background at a rock bar. | 2012-09-27T17:07:00Z | ProGuitarShopDemos | Buy Now: https://goo.gl/7J79Xj This is the TC Electronic Flashback X4, an expanded version on the versatile flashback delay! The X4 maintains a simple layout and intuitive controls that make for quick and accurate time changes. All previous TC Flashback delay modes are included along with 2 new tape flavors, Tube and Space. The Flashback X4 provides 4 Toneprint slots which you can load via USB or beam with your smart phone app. Secondly, there are 3 presets buttons which easily let you store and recall every parameter. User Presets may be from any mode, including Toneprints. Tap tempo is now included with a dedicated switch and a familiar subdivision toggle allows for easy selection between quarter, dotted eighth and dual delay sounds. Finally, an expression input allows for single or multi parameter manipulation and MIDI connectivity let's you sync other devices and access presets remotely. | ["Reverberation", "Effects unit", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["jam", "no singer", "instrumental", "single instrument", "electric guitar", "guitar solo", "effect pedal", "delay", "mellow", "calm", "dreamy", "easygoing", "simple tune"] | 9 | s1l4Zjqoqdg | 4915 | |
Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal (Demo by Bill Ruppert) | This is an instrumental progressive rock music piece. There is an electric guitar playing complex tunes and chords with a pitch shifting effect. There is a psychedelic feel to this track. Parts of this recording could be used in an advertisement jingle. | 2014-10-07T18:11:27Z | EHX | The Electro-Harmonix Pitch Fork polyphonic pitch shifter pedal transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage. The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal. The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass. In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal’s range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork’s footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rat… | ["Reverberation", "Effects unit", "Electric guitar", "Guitar", "Music", "Musical instrument", "Plucked string instrument"] | ["jam", "no singer", "instrumental", "single instrument", "electric guitar", "guitar solo", "pitch shift", "complex", "psychedelic"] | 9 | s2O2xaRfje0 | 4918 | |
PRS 30th Anniversary Custom 24 electric guitar review demo | This clip features a guitar song. An overdriven guitar is struck at the beginning. This is followed by an electric guitar strumming two chords once each. The chords are strummed with a light overdrive sound. There are no other instruments in this song. A male voice talks in a narrative tone at the end of the segment. | 2015-02-19T14:56:55Z | Guitarist | Reviewed in Guitarist issue 391 Gear demos playlist: http://goo.gl/30cAf Subscribe for more from Guitarist: http://goo.gl/2PRXE Buy Guitarist magazine in print and digital forms: http://www.myfavouritemagazines.co.uk/content/lp/digitalbundles/mm-guitarist/ Visit our website: http://www.guitarist.co.uk Facebook: http://www.facebook.com/guitaristmagazine Twitter: http://www.twitter.com/Guitarist_Mag | ["Reverberation", "Electric guitar", "Guitar", "Music", "Musical instrument", "Speech", "Plucked string instrument"] | ["guitar song", "overdriven guitar", "male voice", "narration", "electric guitar", "instructional clip", "no percussion", "no other instrument"] | 0 | vOiDwXo-SuM | 5180 |
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CREATE VIEW musiccaps_details AS select musiccaps.url as video, json_object( 'label', coalesce(videos.title, 'Missing from YouTube'), 'href', musiccaps.url ) as youtube_link, musiccaps.caption as musiccaps_caption, videos.publishedAt as youtube_published, videos.channelTitle as youtube_channel, videos.description as youtube_description, musiccaps.audioset_names as musiccaps_names, musiccaps.aspect_list as musiccaps_aspects, musiccaps.author_id as musiccaps_author, videos.id as youtube_id, musiccaps.rowid as musiccaps_rowid from musiccaps left join videos on musiccaps.ytid = videos.id;