musiccaps_details (view)
1 row where musiccaps_aspects contains "dissonant vocal harmony", musiccaps_aspects contains "experimental music", musiccaps_aspects contains "guitar" and musiccaps_aspects contains "low quality audio"
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video | youtube_link | musiccaps_caption | youtube_published | youtube_channel | youtube_description | musiccaps_names | musiccaps_aspects | musiccaps_author | youtube_id | musiccaps_rowid |
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Eva Hesse | This song features two female voices. One of the voices sings an 'ooh' throughout the song. The second voice sings an 'ah' in places. The first time the 'ah' is sung, it is in a dissonant harmony. The second one is in the scale. This is accompanied by a guitar playing arpeggiated chords. There are no lyrics in this song, but only lyrics. There is no percussion in this song. This song can be played in a movie scene where a person is confused after having been forced to make a tough decision. | 2010-12-09T18:15:30Z | Elisa Cardellini | Eva Hesse (1936-1970), was a German-born American sculptor, known for her pioneering work in materials such as latex, fiberglass, and plastics. After graduating from New York's School of Industrial Art in 1952, Hesse studied at New York's Pratt Institute (1952--1953) and Cooper Union (1954--1957), then at the Yale School of Art and Architecture (1957--1959), where she studied under Josef Albers and received a B.F.A. Upon returning to New York she made friends with many young artists. In 1961, she met and married sculptor Tom Doyle. In August 1962 Eva Hesse and Tom Doyle participated in an Allan Kaprow Happening at the Art Students League of New York in Woodstock, New York. There Hesse made her first three dimensional piece: a costume for the Happening. In 1963 Eva Hesse had a one-person show of works on paper at the Allan Stone Gallery on New York's Upper East Side. The couple lived and worked in an abandoned textile mill in the Ruhr region of Germany for about a year during 1964-1965. Hesse was not happy to be back in Germany, but began sculpting with materials that had been left behind in the abandoned factory: first relief sculptures made of cloth-covered cord, electrical wire, and masonite, with playful titles like Eighter from Decatur and Oomamaboomba. Returning to New York City in 1965 she began working in the materials that would become characteristic of her work: latex, fiberglass, and plastics. Eva Hesse had also an interest in drawing as evinced by her numerous workbooks. She was associated with the mid-1960s postminimal anti-form trend in sculpture, participating in New York exhibits such as "Eccentric Abstraction" and "Abstract Inflationism and Stuffed Expressionism" (both 1966). In September 1968 Eva Hesse began teaching at the School of Visual Arts. Her only one-person show of sculpture in her lifetime was "Chain Polymers" at the Fischbach Gallery on W. 57th Street in New York in November 1968; her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit "Anti-Illusion: Pro… | ["Music", "Theremin"] | ["low quality audio", "female voices", "experimental music", "guitar", "synth", "slow tempo", "no percussion", "psychedelic song", "dissonant vocal harmony"] | 0 | oEJ5bh-OIuU | 4612 |
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CREATE VIEW musiccaps_details AS select musiccaps.url as video, json_object( 'label', coalesce(videos.title, 'Missing from YouTube'), 'href', musiccaps.url ) as youtube_link, musiccaps.caption as musiccaps_caption, videos.publishedAt as youtube_published, videos.channelTitle as youtube_channel, videos.description as youtube_description, musiccaps.audioset_names as musiccaps_names, musiccaps.aspect_list as musiccaps_aspects, musiccaps.author_id as musiccaps_author, videos.id as youtube_id, musiccaps.rowid as musiccaps_rowid from musiccaps left join videos on musiccaps.ytid = videos.id;