musiccaps_details (view)
4 rows where musiccaps_aspects contains "energetic", musiccaps_aspects contains "punchy kick" and musiccaps_aspects contains "wooden percussions"
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musiccaps_aspects (array) 41 ✖
- energetic · 4 ✖
- punchy kick · 4 ✖
- wooden percussions · 4 ✖
- low quality 3
- punchy snare 3
- addictive 2
- groovy bass 2
- passionate 2
- addictive brass melody 1
- addictive female vocal 1
- addictive strings melody 1
- claps 1
- distorted 1
- echoing male chant 1
- electric guitar melody 1
- flat male vocal 1
- folk 1
- fun 1
- funky 1
- groovy 1
- happy 1
- harmonizing male vocals 1
- harsh 1
- laughing 1
- live performance 1
- messy 1
- mono 1
- noisy 1
- offbeat piano chords 1
- reggae 1
- repetitive buzzy synth 1
- repetitive flat male vocal 1
- simple bass 1
- snare roll 1
- soca 1
- string melody 1
- syncopated snare 1
- traditional 1
- traditional pop 1
- uptempo 1
- wide male grunts 1
musiccaps_names (array) 7 ✖
video | youtube_link | musiccaps_caption | youtube_published | youtube_channel | youtube_description | musiccaps_names | musiccaps_aspects | musiccaps_author | youtube_id | musiccaps_rowid |
---|---|---|---|---|---|---|---|---|---|---|
Machel Montano - Congo Man - Trinidad Soca Music | The low quality recording features a Soca song that features repetitive flat male vocal singing over wide male background grunts, repetitive buzzy synth, punchy kick, syncopated snare and wooden percussion. It sounds energetic and uptempo. | 2008-02-11T04:33:47Z | rasadam | Download this MP3: https://amzn.to/2XJFxUy Artist: Machel Montano Title: Congo Man Album: Flame On Year: 2008 Genre: Soca Origin: Trinidad and Tobago | ["Music of Africa", "Music"] | ["low quality", "soca", "wooden percussions", "wide male grunts", "repetitive flat male vocal", "laughing", "repetitive buzzy synth", "punchy kick", "syncopated snare", "uptempo", "energetic"] | 4 | _GjHL0FkYoY | 3456 | |
Fatima Tuz Zahra Oyshee-De De pal Tule de - Live on RTV MUSIC STATION | The low quality recording features a live performance of a traditional pop song and it consists of an addictive female vocal singing over punchy kick and snare hits, groovy bass, electric guitar melody, strings melody and wooden percussion. There is a short snare roll, right before the bass drops. It sounds messy, a bit harsh, distorted, but also passionate, addictive and energetic. | 2015-11-15T15:01:18Z | Oyshee Express | Singer- Fatima Tuz zahra Oyshee Lyric & Tune: Abdur Rahman Boyati Produced by Khoshru Anchored by Liza Bass Guitar- Sohel Rana Flute: Kamrul Lead Guitar: Roman Keyboard: Nadim Pad: Sakib Percussion: Ujjol | ["Music of Asia", "Music", "Salsa music"] | ["live performance", "low quality", "traditional pop", "addictive female vocal", "punchy snare", "wooden percussions", "snare roll", "groovy bass", "string melody", "electric guitar melody", "punchy kick", "messy", "distorted", "harsh", "passionate", "addictive", "energetic"] | 4 | eISYX9koocM | 3855 | |
Bilog na naman ang Buwan | The Reggae song features harmonizing male vocals singing over wooden percussion, punchy snare and kick hits, claps, groovy bass, offbeat piano chords, followed by flat male vocals. It sounds energetic, happy, fun, groovy and funky. | 2007-08-15T07:41:19Z | convoyfollowsiyot | adik sa ganja reggae man | ["Music", "Reggae"] | ["reggae", "wooden percussions", "punchy snare", "claps", "punchy kick", "groovy bass", "offbeat piano chords", "harmonizing male vocals", "flat male vocal", "energetic", "groovy", "funky", "happy", "fun"] | 4 | gz-4W-uEzhc | 4071 | |
Badke: KVS/les ballets C de la B/A.M. Qattan Foundation (c) Zaina Zarour | The low quality recording features a folk song that consists of an echoing male chant over punchy kick and snare hits, wooden percussion, addictive strings and brass melodies and simple bass. It sounds traditional, addictive, passionate and energetic. The recording is noisy and in mono. | 2014-04-25T11:45:31Z | balletsCdelaB | In 2006, KVS, les ballets C de la B and the A.M. Qattan Foundation launched a series of workshops with young Palestinian performing artists. Now, Koen Augustijnen, Rosalba Torres (les ballets C de la B) and Hildegard De Vuyst (KVS) present the dance production Badke, for which they work with ten Palestinian performers, young autodidacts from various disciplines including contemporary dance, hip hop, circus, etc. The term 'badke' is a distortion of 'dabke', a Palestinian folk dance. The performance starts out from the popular variant: the people's social, festive dabke. The performers go on to confront this locally rooted dance with elements from worldwide pop (dance) culture. Badke becomes a quest for a dabke that not only conveys the unique Palestinian desire to 'belong somewhere', but also the wish to be part of a world beyond that. | ["Bagpipes", "Wind instrument, woodwind instrument"] | ["low quality", "mono", "noisy", "folk", "echoing male chant", "punchy snare", "punchy kick", "addictive strings melody", "addictive brass melody", "traditional", "addictive", "passionate", "wooden percussions", "simple bass", "energetic"] | 4 | kMmjr8deHis | 4312 |
Advanced export
JSON shape: default, array, newline-delimited
CREATE VIEW musiccaps_details AS select musiccaps.url as video, json_object( 'label', coalesce(videos.title, 'Missing from YouTube'), 'href', musiccaps.url ) as youtube_link, musiccaps.caption as musiccaps_caption, videos.publishedAt as youtube_published, videos.channelTitle as youtube_channel, videos.description as youtube_description, musiccaps.audioset_names as musiccaps_names, musiccaps.aspect_list as musiccaps_aspects, musiccaps.author_id as musiccaps_author, videos.id as youtube_id, musiccaps.rowid as musiccaps_rowid from musiccaps left join videos on musiccaps.ytid = videos.id;