musiccaps_details (view)
4 rows where musiccaps_aspects contains "vibraphone" and musiccaps_author = 9 sorted by youtube_link
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musiccaps_aspects (array) 29 ✖
- vibraphone · 4 ✖
- cheerful 2
- instrumental 2
- jazz 2
- no singer 2
- playful 2
- upright bass 2
- video game theme 2
- acoustic drums 1
- acoustic jazz drums 1
- big band 1
- brass section 1
- charleston dance 1
- complex 1
- dreamy 1
- festive 1
- gibberish singing 1
- glockenspiel 1
- kids song 1
- lively 1
- male vocal 1
- melodic 1
- percussion 1
- piano 1
- repeated theme 1
- sleigh bells 1
- synth strings 1
- upbeat 1
- wind effect 1
musiccaps_names (array) 11 ✖
- Music 3
- Happy music 1
- Marimba, xylophone 1
- Musical instrument 1
- Percussion 1
- Roll 1
- Ska 1
- Soul music 1
- Soundtrack music 1
- Swing music 1
- Vibraphone 1
video | youtube_link ▼ | musiccaps_caption | youtube_published | youtube_channel | youtube_description | musiccaps_names | musiccaps_aspects | musiccaps_author | youtube_id | musiccaps_rowid |
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Banjo-Kazooie Music: Click Clock Wood (Winter) | This is a video game theme that is in the style of a kids song. The main melody is being played by a vibraphone while a glockenspiel can be heard adding texture. There is a medium-to-high pitch synth string sound that joins them later on. In the background, there are sleigh bells and a wind effect to imply a winter aura. The atmosphere is playful. The piece could be included in the soundtrack of a kids cartoon or a video game. | 2007-10-26T22:24:07Z | southernpickle | The theme to the winter area of Click Clock Wood from the game Banjo-Kazooie. | ["Music", "Soundtrack music", "Happy music"] | ["video game theme", "kids song", "no singer", "instrumental", "vibraphone", "glockenspiel", "synth strings", "sleigh bells", "wind effect", "festive", "cheerful", "playful"] | 9 | 9QYo50tFm6w | 1004 | |
Katamari Roll (you up into my life) | This is a video game theme in the style of jazz music. There is a male vocalist singing gibberish while imitating a brass instrument. The vibraphone is playing the main melody. There is a piano playing chords in a syncopated manner. The bass guitar is playing a groovy bass line. The rhythmic background consists of an acoustic jazz drum beat. The atmosphere is dreamy and cheerful. This piece could be playing in the soundtrack of an animation movie during a dream sequence. | 2008-11-26T21:49:26Z | leftofftheark | I know you love me I want to wad you up into my life Lets roll up to be a single star in the sky I hear you calling me I want to wad you up into my life Lets lump up to make a single star in the sky To you, to you Im so in love with you I want to wad you up into my life Lets roll up to be a single star in the sky I need you to feel me I want to wad you up into my life Lets lump up to make a single star in the sky To you I know you love me I want to wad you up into my life Lets roll up to be a single star in the sky I hear you calling me I want to wad you up into my life Lets lump up to make a single star in the sky To you, oh to you Yes to you | ["Music", "Roll", "Soul music"] | ["video game theme", "jazz", "male vocal", "gibberish singing", "vibraphone", "piano", "upright bass", "acoustic jazz drums", "dreamy", "complex", "cheerful"] | 9 | Mv90uA0tmgc | 2307 | |
Professional Charleston - Strictly Come Dancing 2011 | This is a big band jazz music piece. It is an accompaniment piece to the Charleston dance. The band consists of a wide range of brass sections, an upright bass, a jazz acoustic drum beat and a vibraphone. Sounds from the cheering crowd can be heard. The atmosphere is lively. The piece is upbeat. | 2011-12-05T22:33:48Z | LunaleeTreasureBox | 2011 Professional Dancers: Pasha Kovalev Katya Virshilas Artem Chigvintsev Kristina Rihanoff Brendan Cole Erin Boag Anton du Beke Ola Jordan Robin Windsor Natalie Lowe Vincent Simone Aliona Vilani James Jordan Flavia Cacace 2011 Couples: Alex Jones & James Jordan Anita Dobson & Robin Windsor Audley Harrison & Natalie Lowe Chelsee Healey & Pasha Kovalev Dan Lobb & Katya Virshilas Edwina Currie & Vincent Simone Harry Judd & Aliona Vilani Holly Valance & Artem Chigvintsev Jason Donovan & Kristina Rihanoff Lulu & Brendan Cole Nancy Dell'Olio & Anton du Beke Robbie Savage & Ola Jordan Rory Bremner & Erin Boag Russell Grant & Flavia Cacace | ["Swing music", "Ska"] | ["jazz", "big band", "charleston dance", "no singer", "instrumental", "brass section", "upright bass", "acoustic drums", "vibraphone", "lively", "upbeat"] | 9 | WmyhSRhWh3k | 3135 | |
Sextet, by Steve Reich (FULL PERFORMANCE) | The tune is played by two vibraphones at the same time. The bright character of the instrument gives the piece a playful aura. It could be used as a ringtone or an alarm tone due to its generic, repeated nature. | 2015-04-06T19:56:13Z | Vic Firth | Sextet, by Steve Reich Performed by Yale Percussion Group Jonny Allen | Garrett Arney | Doug Perry | Terry Sweeney | Georgi Videnov | Mari Yoshinaga I. [Fast] - 0:16 II. [Moderate] - 10:13 III. [Slow] - 14:20 IV. [Moderate] - 16:50 V. [Fast] - 20:12 --- ABOUT THE PIECE: Sextet was commissioned by Laura Dean Dancers and Musicians and by the French Government for the Nexus Percussion Ensemble. The first performance under the title Music for percussion and Keyboards was given at the Centre Pompidou in Paris on 19 December 1984 by Nexus with guest artists playing keyboards. The last movement was then revised in January 1985 and the title shortened to Sextet. The American premiere was presented by Laura Dean Dancers and Musicians at Brooklyn Academy of Music’s New Wave Festival on 31 October 1985 as the music for Ms. Dean’s Impact. The American concert premiere by Steve Reich and Musicians was performed on the Great performers Series at Avery Fisher Hall on 20 January 1986. Sextet (1985) for 4 percussionists and 2 keyboard players is score for 3 marimbas, 2 vibraphones, 2 bass drums, crotales, sticks, tam-tam, 2 pianos and 2 synthesizers. The duration is about 28 minutes. The work is in five movements played without pause. The relationship of the five movements is that of an arch form A-B-C-B-A. The first and last movements are fast, the second and fourth moderate and the third, slow. Changes of tempo are made abruptly at the beginning of new movements by metric modulation to either get slower or faster. Movements are also organized harmonically wit the chord cycle for the first and fifth, another for the second and fourth, and yet another for the third. The harmonies used are largely dominant chords with added tones creating a somewhat darker, chromatic and more varied harmonic language were suggested by The Desert Music (1984). Percussion instruments mostly produce sounds of relatively short duration. In this piece I was interested in overcoming that limitation. The use of the bowed vibraphone, not merely as … | ["Music", "Musical instrument", "Marimba, xylophone", "Vibraphone", "Percussion"] | ["vibraphone", "percussion", "repeated theme", "melodic", "playful"] | 9 | YgX85tZf1ts | 3304 |
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CREATE VIEW musiccaps_details AS select musiccaps.url as video, json_object( 'label', coalesce(videos.title, 'Missing from YouTube'), 'href', musiccaps.url ) as youtube_link, musiccaps.caption as musiccaps_caption, videos.publishedAt as youtube_published, videos.channelTitle as youtube_channel, videos.description as youtube_description, musiccaps.audioset_names as musiccaps_names, musiccaps.aspect_list as musiccaps_aspects, musiccaps.author_id as musiccaps_author, videos.id as youtube_id, musiccaps.rowid as musiccaps_rowid from musiccaps left join videos on musiccaps.ytid = videos.id;