{"video": "https://www.youtube.com/watch?v=8Nrp4jUZeGE&start=270&end=280", "youtube_link": "{\"label\":\"Nothing but Jeeps :SEMA Las Vegas\",\"href\":\"https://www.youtube.com/watch?v=8Nrp4jUZeGE&start=270&end=280\"}", "musiccaps_caption": "This is an electronic dance music piece. It opens with loud fuzzy synth bass and electronic drums and continues with a repeating melody from a bright keyboard. It has an upbeat, loud and energetic aura that would be ideal in a nightclub setting. It could also be used in a DJ setlist.", "youtube_published": "2015-12-04T19:44:01Z", "youtube_channel": "mixflip", "youtube_description": "I attend the SEMA show specifically to film all the offroad vehicles. Its a big part of my youtube channel. \n\nAs you can see from this video, when you go to SEMA you see A LOT of Jeeps! Jeeps are by far the dominant offroad vehicle at SEMA.\n\nI am a gun guy so I equate the Jeep to the AR15. You buy it and immediately start to customize it and the options never end.\n\nBtw, I am not just a fan of the jeep. I owned a Jeep CJ7 when I lived in Hawaii, my parents owned 2 Jeep XJ Cherokees back in the 90's and my wife family owned a Jeep XJ as well.\n\nPlease hit that like button if you enjoyed this video.\n\nLeave a comment and let me know what you guys think of jeeps?\n\nAnd subscribe if you want to see more.\n\nThanks for watching...Merry Christmas and Happy New Year!", "musiccaps_names": "[\"Music\", \"Vibraphone\"]", "musiccaps_aspects": "[\"electronic drums\", \"synth bass\", \"keyboard\", \"melodic\", \"repeating theme\", \"upbeat\", \"energetic\", \"loud\", \"dance\"]", "musiccaps_author": "9", "youtube_id": "8Nrp4jUZeGE", "musiccaps_rowid": 919}
{"video": "https://www.youtube.com/watch?v=Hxf1seOpijE&start=10&end=20", "youtube_link": "{\"label\":\"This War of Mine - Teaser Trailer\",\"href\":\"https://www.youtube.com/watch?v=Hxf1seOpijE&start=10&end=20\"}", "musiccaps_caption": "This is an instrumental piece. An electric guitar is playing the melody while another is playing secondary riffs. There is a granular synth holding notes at a high pitch. The overarching atmosphere of this piece is suspenseful. It feels like something big is about to happen that will break the intentionally superficial calmness. This piece would suit perfectly during suspense scenes in a movie soundtrack.", "youtube_published": "2014-03-12T18:00:04Z", "youtube_channel": "GameSpot", "youtube_description": "Take a look at this teaser trailer for 11 bit studios' new IP, This War of Mine.\n\nFollow This War of Mine at GameSpot.com!\nhttp://www.gamespot.com/this-war-of-mine/\nOfficial Site - http://www.11bitstudios.com/games/16/this-war-of-mine\n\nVisit all of our channels:\nFeatures & Reviews - http://www.youtube.com/user/gamespot\nGameplay & Guides - http://www.youtube.com/user/gamespotgameplay\nTrailers - http://www.youtube.com/user/gamespottrailers\nMLG, NASL & eSports - http://www.youtube.com/user/gamespotesports\nMobile Gaming - http://www.youtube.com/user/gamespotmobile\n\nLike  - http://www.facebook.com/GameSpot\nFollow - http://www.twitter.com/GameSpot\nStream Live - http://twitch.tv/GameSpot\n\nhttp://www.gamespot.com", "musiccaps_names": "[\"Music\", \"Vibraphone\"]", "musiccaps_aspects": "[\"instrumental\", \"no singer\", \"granular synth\", \"electric guitar\", \"suspense\", \"anticipation\", \"repeated theme\", \"movie music\"]", "musiccaps_author": "9", "youtube_id": "Hxf1seOpijE", "musiccaps_rowid": 1852}
{"video": "https://www.youtube.com/watch?v=K-0qmhvJyzE&start=10&end=20", "youtube_link": "{\"label\":\"Funny Dogs Vs Cat Toys! Funny Reactions : Louie and Marie The Beagles\",\"href\":\"https://www.youtube.com/watch?v=K-0qmhvJyzE&start=10&end=20\"}", "musiccaps_caption": "This is an instrumental kids song. There is a xylophone and a music box playing a cute and cheerful melody. The atmosphere of the piece is cozy and relaxing. This piece could be used as a backing track for a nursery rhyme. It could be used in the soundtrack of a movie targeted at children.", "youtube_published": "2016-02-29T21:43:56Z", "youtube_channel": "Louie The Beagle", "youtube_description": "Funny Dogs Vs Cat Toys! Funny Reactions : Louie and Marie The Beagles. Cat toys are no match for these cute and hilariously funny dogs. \nSUBSCRIBE : http://goo.gl/Rq5egL\n\nFOLLOW US\nhttps://www.facebook.com/beaglelouie\nhttps://twitter.com/beaglelouie\nhttps://instagram.com/thebeaglelouie/\n\nPLAYLISTS : \nBEST OF LOUIE : https://goo.gl/tZXXRJ\nMINIONS MINIONS : https://goo.gl/W4in8J\nFUNNY BEAGLEY THINGS : https://goo.gl/zGBAf5\nDOG TOY CRITIC : https://goo.gl/7VuQae\n\nClick here for more Funny Minion Videos : \nhttps://goo.gl/W4in8J\n\nI always wondered what my beagles would do with cat toys.\nNow i know the cat nip makes them crazy! :-) \nLouie is not a big fan of battery operated toys so i won't bother him with them. \nPS : The toy at the start is a KONG SAFESTIX and not a sex toy haha :-)", "musiccaps_names": "[\"Music\", \"Marimba, xylophone\", \"Vibraphone\", \"Glockenspiel\", \"Inside, small room\"]", "musiccaps_aspects": "[\"kids song\", \"no singer\", \"instrumental\", \"xylophone\", \"music box\", \"bell\", \"calming\", \"relaxing\", \"cheerful\", \"cute\", \"cozy\"]", "musiccaps_author": "9", "youtube_id": "K-0qmhvJyzE", "musiccaps_rowid": 2050}
{"video": "https://www.youtube.com/watch?v=RQMUz0NFx6o&start=420&end=430", "youtube_link": "{\"label\":\"PercaDu Play Octabones\",\"href\":\"https://www.youtube.com/watch?v=RQMUz0NFx6o&start=420&end=430\"}", "musiccaps_caption": "This is an instrumental marimba piece. Two marimbas are being played simultaneously. The performance is a complex one. The atmosphere is playful. Parts of this piece can be used to make a ringtone or to lift samples to use in a beat.", "youtube_published": "2008-03-28T10:08:37Z", "youtube_channel": "Adi Morag", "youtube_description": "This Video was made in Sapir academy, Sederot,Israel, performed by PercaDu. The work is now published. for details: moragadi@gmail.com", "musiccaps_names": "[\"Music\", \"Musical instrument\", \"Marimba, xylophone\", \"Vibraphone\", \"Percussion\"]", "musiccaps_aspects": "[\"no singer\", \"instrumental\", \"marimba\", \"percussion\", \"rhythmic\", \"melodic\", \"playful\", \"complex\"]", "musiccaps_author": "9", "youtube_id": "RQMUz0NFx6o", "musiccaps_rowid": 2700}
{"video": "https://www.youtube.com/watch?v=YgX85tZf1ts&start=300&end=310", "youtube_link": "{\"label\":\"Sextet, by Steve Reich (FULL PERFORMANCE)\",\"href\":\"https://www.youtube.com/watch?v=YgX85tZf1ts&start=300&end=310\"}", "musiccaps_caption": "The tune is played by two vibraphones at the same time. The bright character of the instrument gives the piece a playful aura. It could be used as a ringtone or an alarm tone due to its generic, repeated nature.", "youtube_published": "2015-04-06T19:56:13Z", "youtube_channel": "Vic Firth", "youtube_description": "Sextet, by Steve Reich\n\nPerformed by Yale Percussion Group\nJonny Allen | Garrett Arney | Doug Perry | Terry Sweeney | Georgi Videnov | Mari Yoshinaga\n\nI. [Fast] - 0:16\nII. [Moderate] - 10:13\nIII. [Slow] - 14:20\nIV. [Moderate] - 16:50\nV. [Fast] - 20:12\n\n---\n\nABOUT THE PIECE:\nSextet was commissioned by Laura Dean Dancers and Musicians and by the French Government for the Nexus Percussion Ensemble. The first performance under the title Music for percussion and Keyboards was given at the Centre Pompidou in Paris on 19 December 1984 by Nexus with guest artists playing keyboards. The last movement was then revised in January 1985 and the title shortened to Sextet. The American premiere was presented by Laura Dean Dancers and Musicians at Brooklyn Academy of Music\u2019s New Wave Festival on 31 October 1985 as the music for Ms. Dean\u2019s Impact. The American concert premiere by Steve Reich and Musicians was performed on the Great performers Series at Avery Fisher Hall on 20 January 1986. Sextet (1985) for 4 percussionists and 2 keyboard players is score for 3 marimbas, 2 vibraphones, 2 bass drums, crotales, sticks, tam-tam, 2 pianos and 2 synthesizers. The duration is about 28 minutes.\n\nThe work is in five movements played without pause. The relationship of the five movements is that of an arch form A-B-C-B-A. The first and last movements are fast, the second and fourth moderate and the third, slow. Changes of tempo are made abruptly at the beginning of new movements by metric modulation to either get slower or faster. Movements are also organized harmonically wit the chord cycle for the first and fifth, another for the second and fourth, and yet another for the third. The harmonies used are largely dominant chords with added tones creating a somewhat darker, chromatic and more varied harmonic language were suggested by The Desert Music (1984). \n\nPercussion instruments mostly produce sounds of relatively short duration. In this piece I was interested in overcoming that limitation. The use of the bowed vibraphone, not merely as a passing effect, but as a basic instrumental voice in the second movement, was one means of getting long continuous sounds not possible with piano. The mallet instruments (marimba, vibraphone etc) are basically instruments of high and middle register without a low range. To overcome this limit the bass drum was used doubling the piano or synthesizer played in their lower register, particularly in the second, third and fourth movements.\n\nCompositional techniques used include some introduced in my music as early as Drumming in 1971. In particular the substitution of beats for rests to \"build-up\" a canon between two or more identical instruments playing the same repeating pattern is used extensively in the first and last movements. Sudden change of rhythmic position (or phase) of one voice in an overall repeating contrapuntal web first occurs in my Six Pianos of 1973 and occurs throughout this work. Double canons, where one canon moves slowly (the bowed vibraphones) and the second moves quickly (the pianos), first appear in my music in Octet of 1979. Techniques influenced by African music, where the basic ambiguity in meters of 12 beats is between 3 groups of 4 and 4 groups of 3, appear in the third and fifth movements. A rhythmically ambiguous pattern is played by vibraphones in the third movement, but at a much faster tempo. The result is to change the perception of what is in fact not changing. Another related, more recent techniques appearing near the end of the fourth movement is to gradually remove the melodic material in the synthesizers leaving the accompaniment of the 2 vibraphones to become the new melodic focus. Similarly the accompaniment in the piano in the second movement becomes the melody for the synthesizer in the fourth movement. The ambiguity here is between which is melody and which is accompaniment. In music which uses a great deal of repetition I believe it is precisely these kinds of ambiguities that give vitality and life\n\n\u2014 Steve Reich", "musiccaps_names": "[\"Music\", \"Musical instrument\", \"Marimba, xylophone\", \"Vibraphone\", \"Percussion\"]", "musiccaps_aspects": "[\"vibraphone\", \"percussion\", \"repeated theme\", \"melodic\", \"playful\"]", "musiccaps_author": "9", "youtube_id": "YgX85tZf1ts", "musiccaps_rowid": 3304}