video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid https://www.youtube.com/watch?v=5FlNBuS7YgM&start=30&end=40,"{""label"":""Tarantella Napoletana - Italian Mandolin music by Antonio Calsolaro"",""href"":""https://www.youtube.com/watch?v=5FlNBuS7YgM&start=30&end=40""}",This is an Italian folk music piece. It is a live performance recording. There is a mandolin playing the main tune of the piece while an acoustic guitar plays in the melodic background. The atmosphere of the piece is lively. This piece could be used in the soundtrack of a documentary taking place in the Mediterranean region. It could also be used in tourism agency advertisements. Another possible use is as an accompaniment piece for Italian folk dance courses.,2012-12-02T08:29:31Z,Christian L. Caballero (235binelli),"Tarantella Napoletana, (Italian tarantella by Napoli) played by the Italian mandolin Maestro ANTONIO CALSOLARO and Francesco Polito (Guitar), traditional folk music of Napoli and Italian culture, the Mandolin music was introduce, during the 18th century, in the ""Italian Barbers Saloon"". The Maestro Calsolaro give us this dancing Tarantella music to his world friends, sponsored by http://www.italianbusinessguide.com/ ITALIAN MUSIC MAESTRO ANTONIO CALSOLARO - LESSONS AND LIVE CONCERT He's preparing a Mandolin Master Class in the ""Culture Palace of Alessano Lecce - Italy"" the final week of March 2013, it will be divided in beginners and experts mandolin lessons, a full week of Mandolin sharing experience. He will give His own exclusive ""Traditional Italian Sheet Music"" to each participant If you need more info please call in Italy +39.333.6371644 or Email to info@ital-usa.com Furthermore he's available for live music concerts, exhibitions, shows, Italian party around the world, please contact us for your requirements ITALIAN TARANTELLA - Tarantella Napoletana Tarantella music is a folk dance music characterized by a fast upbeat tempo, usually in 6/8 time (sometimes 18/8 or 4/4), accompanied by tambourines (tamburello) and mandolin. It is among the most recognized of traditional Italian music, it names change according to the varies Italian region, Tammuriata in Campania (Naples - Napoli), Pizzica Pizzica in Lecce - Salento region, Sonu a ballu in Calabria. Tarantella is popular in Southern Italy and one of the symbols of the Italian culture in the world. In the Salento's region of Italy the bite of a locally common type of spider called ""tarantula"" was popularly believed to be highly poisonous and to lead to a hysterical condition known as Tarantism. The stated belief in the 16th and 17th centuries were that the victims needed to engage in a frenzied dance to prevent death of the disease using very rhythmic music, this kind of music was known Tarantella. ITALIAN MANDOLIN Mandolins evolved from the lute family in Italy during the seventeenth and eighteenth centuries, and the deep bowled mandolin produced particularly in Naples became a common type in the nineteenth century. The original instrument was the mandore which evolved in the fourteenth century from the lute. The first evidence of modern steel-strung mandolins is from literature regarding popular Italian players who traveled through Europe teaching and giving concerts. Notable is Signor Leone and G. B. Gervasio who traveled widely between 1750 and 1810. This, with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, lead some musicologists to believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. Gennaro Vinaccia was active circa 1710 to circa 1788, and Antonio Vinaccia was active circa 1734 to circa 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1772 which resides at the Victoria and Albert Museum in London, England. Another is by Giuseppe Vinaccia built in 1763, residing at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California. The earliest extant mandolin was built in 1744 by Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium MAESTRO ITALIANO DE LA MANDOLINA El maestro Antonio Calsolaro, junto a Francesco Polito, interpreta magistralmente con su Mandolina una pieza del folklore Napoletano (Napoles) con la sabiduria del Maestro y del hombre de experiencia que toca la mandolina desde pequeno en familia como expresion digna de la cultura y tradicion de Napoles, Italia. El Maestro Calsolaro es uno de los musicos mas importantes de Italia que mantienen, cultivan y desarrollan la pureza de la Musica Tradicional Folklorica Italiana","[""Banjo"", ""Flamenco"", ""Acoustic guitar"", ""Music"", ""Mandolin""]","[""italian folk music"", ""tarantella"", ""napoletana"", ""no singer"", ""instrumental"", ""acoustic"", ""mandolin"", ""acoustic guitar"", ""folk dance"", ""easygoing"", ""fun"", ""lively""]",9,5FlNBuS7YgM,648 https://www.youtube.com/watch?v=B-1QW7g81gA&start=30&end=40,"{""label"":""Muzik tipiko di Korsou/ Traditional Curacao music"",""href"":""https://www.youtube.com/watch?v=B-1QW7g81gA&start=30&end=40""}","The Curacao Waltz song features a flamenco guitar melody, electric bass guitar, acoustic guitar chords and shimmering shaker. Sounds very reverberant, as no instruments are clearly heard in the recording - except for the flamenco guitar. Overall, the recording is low quality, as the bad stereo microphone setup was used.",2012-06-11T12:32:11Z,tipikodenhaag,"Tipiko Den Haag playing Traditional Curaçao music in the Netherlands. Op 1 november 2019 kun je Tipiko Den Haag weer zien in Rotterdam, nu met muziektheaterstuk ""De wedstrijd van Shon Arei"". Een hele avond met theater, lekkere hapjes en dansgelegenheid op Tipiko & ka'i orgel muziek! Koop je kaartje van tevoren met korting via www.theaterzuidplein.nl (zoek op november). Graag tot dan!","[""Flamenco"", ""Music"", ""Mandolin"", ""Music of Latin America""]","[""curacao waltz"", ""low quality"", ""reverberant"", ""flamenco guitar melody"", ""electric bass guitar"", ""acoustic guitar chords"", ""shimmering shakers""]",4,B-1QW7g81gA,1191 https://www.youtube.com/watch?v=HQ9HlWProm0&start=30&end=40,"{""label"":""How to Practice Flamenco Scales | Flamenco Guitar"",""href"":""https://www.youtube.com/watch?v=HQ9HlWProm0&start=30&end=40""}",This is a clip of a tutorial where we have a male teacher playing a minor scale on a nylon string guitar. The energy of the video is calm.,2013-07-15T03:45:07Z,Howcast,"Full Playlist: https://www.youtube.com/playlist?list=PLLALQuK1NDrjihYqVBYe63py71wnGVUNi - - Like these Guitar Lessons !!! Check out the official app http://apple.co/1IFMYeJ Must Haves for any Guitar Player: On Stage XCG4 Black Tripod Guitar Stand: http://amzn.to/1KHP6HO Dunlop Trigger Curved Guitar Capo: http://amzn.to/1UrBL7c Korg GA1 Guitar and Bass Tuner: http://amzn.to/1Nafqfs Dunlop Standard Tortex Picks: http://amzn.to/1L4YMYy Ernie Ball 4037 Black Polypro Strap: http://amzn.to/1O8zLiu Watch more How to Play Flamenco Guitar videos: http://www.howcast.com/videos/510747-How-to-Practice-Flamenco-Scales-Flamenco-Guitar Okay, so I'm going to show you a good method to practice your scales and to get better and a little faster when you practice scales. It's very important that you practice with a metronome. Like I said in the previous video, if you don't have a metronome on, you're probably not practicing. So let's put our metronome on and we're going to pick a scale, whatever scale we're working on. For right now I'm just going to choose, just the regular E Minor scale. Fingering and I'm going to start with my root on the fifth string. Okay, and then we're going to do one, two, four; one, two, four; move to the fifth fret, one three four; one three four. Okay, so that's my E natural minor scale and I'm going to put my metronome to do this slow. I'm going to put it on 70 bpm, 70 beats per minute. This is a good way to practice your scales. First we're going to go up and down, just playing quarter notes and you'll go down the same way. I't's important when you practice scales that you know how to subdivide the beat accurately. So the next time we go up and down, we're going to do eighth notes, so we're going to divide the beat in half. Okay, and we're going to do that a couple of times. Next time we play our scale we're going to do triplets, which means we're going to fit three notes in the beat. It's important that we sing this or we feel this, before we even attempt to play it. So it's going to be one, two, three; one, two, three; one, two, three; one, two three. Okay, and we do this a couple times up and down. Next step would be to do sixteenth notes. That means we place four notes inside the beat. Okay and again, if this is the first time you're doing it, make sure you can sing before you play it. Most likely, if you can't sing it to yourself, you're not going to be able to play it accurately. So one-e and a two-e, and a one, two, three, four; one, two, three, four. Okay, when you can do this at least four times on sixteenth notes up and down, then you're ready to increase the speed of your metronome. I would go up I don't know, two-four, maybe ten bpm's and do the whole thing again. Then try it with another scale and do it again. Okay, if you feel like it's getting bumpy, always bring it back down. Never practice with mistakes. If you practice with mistakes, you will play with mistakes.","[""Flamenco"", ""Guitar"", ""Acoustic guitar"", ""Music"", ""Mandolin"", ""Musical instrument"", ""Strum"", ""Speech"", ""Plucked string instrument""]","[""minor scale"", ""acoustic guitar arpeggio"", ""nylon string guitar"", ""male speaking"", ""male guide"", ""tutorial""]",3,HQ9HlWProm0,1799 https://www.youtube.com/watch?v=Tvwi_YuLehk&start=30&end=40,"{""label"":""Greensky Bluegrass | 3/01/2014 | \""Letter To Seymour\"" - \""New Rize Hill\"""",""href"":""https://www.youtube.com/watch?v=Tvwi_YuLehk&start=30&end=40""}","This is the live performance of a bluegrass music piece. There are male vocals singing together in a lively manner. There are two banjos playing the melody, one acting as the lead and the other as the rhythm. There is also an acoustic guitar following the banjos. An upright bass is playing the bass line which acts as a rhythmic background. The general atmosphere of the piece is very uplifting. The piece can be used in the soundtrack of rural comedies. It could also be used in the background for funny social media content.",2014-04-20T16:36:51Z,GreenskyBluegrass,"Greensky Bluegrass live at the Neptune Theater in Seattle, Washington on March 1, 2014 performing a medley of Letter To Seymour into New Rize Hill. Anders Beck: dobro Michael Arlen Bont: banjo and vocals Dave Bruzza: guitar and vocals Mike Devol: bass and vocals Paul Hoffman: mandolin and vocals Filmed & Edited by Mark Burgin (tapermark) © 2014 Greensky Bluegrass All Rights Reserved www.greenskybluegrass.com","[""Flamenco"", ""Music"", ""Mandolin"", ""Bluegrass""]","[""bluegrass"", ""live performance"", ""male vocals"", ""banjo"", ""banjo solo"", ""upright bass"", ""acoustic guitar"", ""playful"", ""joyful"", ""uplifting"", ""easygoing""]",9,Tvwi_YuLehk,2876 https://www.youtube.com/watch?v=t6jlx6jAb-Q&start=70&end=80,"{""label"":""Flamenco Duo, Bulerías"",""href"":""https://www.youtube.com/watch?v=t6jlx6jAb-Q&start=70&end=80""}",Someone is playing a melody on an acoustic guitar and someone another melody on a oud. The two melodies complement each other. This song may be playing in a live presentation.,2011-05-29T08:10:47Z,Mundo Flamenco,"Mariano Martin and Amir John Haddad played this ""Bulerías"" in may 2011, during a recording session for the website of Mundo Flamenco. Mariano plays a Francisco Barba Caviuna guitar with top of spruce and Amir plays an old arabian lute (Ud) from his father.","[""Flamenco"", ""Guitar"", ""Music"", ""Mandolin"", ""Musical instrument""]","[""flamenco"", ""acoustic guitar"", ""oud"", ""medium to uptempo""]",6,t6jlx6jAb-Q,5007