video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid
https://www.youtube.com/watch?v=E7q_QwLYI8U&start=210&end=220,"{""label"":""Magical guitar review : Taylor 314 ghost graphtech-mounted with GR-55"",""href"":""https://www.youtube.com/watch?v=E7q_QwLYI8U&start=210&end=220""}","The low quality recording features a country song played on acoustic guitar. The chords are sliding and the recording is noisy and it sounds like a player is practicing. At the very end of the loop, there is a short snippet of percussive instrumental.",2012-12-02T09:00:40Z,Oliwoods,"My Taylor 314-CE, modified with a graphtech ghost acoustiphonic steel kit and played on a roland GR55 with my own presets :

- Emulated bass sound on E,A and D, mixed with the natural guitar sound
- Strings, accordion, organ or xylophone added to guitar/bass sound
- Emulated banjo, sitar, resonator, bass, electric guitar
+ an example of making a loop with drum, bass, organ and electric guitar

All were recorded directly from the GR-55.

Enjoy !

The ghost system : http://www.graphtech.com/products.html?SubCategoryID=102 
Some pics of the installation on www.sebastiendumont.fr

Songs played in the video:

- Talking about a revolution (Guitar with Bass)
- Too young to die (Guitar with Bass)
- Somebody else's guy (Guitar with Bass, flanger effect)
- Somebody i used to know (Guitar with Bass, xylophone)
- Les bourgeois (Guitar with Bass, accordion)
- Stairway to heaven (Guitar with Bass, pan flute)
- Rehab (Guitar with Bass, organ)
- Nothing else matters (Guitar with Bass, strings)
- Les bêtises (Emulated banjo)
- Paint it black (Emulated sitar)
- Resonator example (Emulated)
- Oye como va (Looper with drum, bass, organ and emulated fender electric guitar)
- Electric guitar example (Looper with drum, bass and emulated Les Paul electric guitar)","[""Guitar"", ""Acoustic guitar"", ""Music"", ""Musical instrument"", ""Chorus effect"", ""Plucked string instrument"", ""Inside, small room""]","[""low quality"", ""country"", ""acoustic guitar chords"", ""noisy"", ""practice"", ""percussive instrumental"", ""sliding""]",4,E7q_QwLYI8U,1535
https://www.youtube.com/watch?v=WCl93HBuj60&start=490&end=500,"{""label"":""Andy Narell & Relator- University of Calypso"",""href"":""https://www.youtube.com/watch?v=WCl93HBuj60&start=490&end=500""}","This music is instrumental. The tempo is fast with lively percussion rhythms of the drums, cymbal riffs, congas, bongos, steel pan and piano accompaniment. The music is lively, spirited, engaging, funky, groovy and buoyant. This music is a percussive instrumental.",2009-08-18T15:01:50Z,HeadsUpRecords,"Featuring Dario Eskenazi, Pedro Martinez, Gregory Jones, Mark Walker,
and Special Guest Paquito DRivera

With Andy Narell—whos been playing calypso music from Trinidad since he was barely tall enough to reach the pan—its always been about expanding the role of the steelpan in jazz. Now, with the June 23, 2009 release of University of Calypso (HUCD3168) on Heads Up International, a division of Concord Music Group, Narell joins forces with calypso legend Relator to explore the role of jazz in vintage calypso. Together, they perform 15 classic compositions by Lord Kitchener, Lord Melody, Mighty Terror, Roaring Lion, Spider, and Relator, supported by a group of world-class Latin-jazz cats who can swing the calypso and blow le jazz hot. Its been over 50 years since a major calypsonian went into the studio with a bunch of jazz players. This CD is cause for serious celebration!

In many ways this project was inspired by Lord Kitcheners forays into jazz in the 1950s. Kitchener (real name Aldwyn Roberts; now respectfully nicknamed Grandmaster) was arguably the greatest songwriter in the history of calypso. Born in Trinidad in 1922 (where he passed away in 2000) he was largely responsible for calypsos evolution into a melodically and harmonically sophisticated music. He was a fabulous lyricist as well, and a great commentator and humorist on a wide array of subjects. He emigrated from Trinidad to London in 1948, where he discovered jazz—and wrote a very hip composition called ""Bebop Calypso"" praising Charlie Parker and Dizzy Gillespie. He stayed in London throughout the 50s, playing with jazz musicians and making numerous recordings that revolutionized calypso music. Along with Trinidadian musicians like Rupert Nurse, Fitzroy Coleman, and Russ Henderson, Kitchener created a new jazz-influenced big band sound that suited calypso perfectly—and when he returned to Trinidad, 17 years later, it was as a hugely successful entertainer with scores of hit records to his credit. Nearly half this album is drawn from his songbook. ""Oddly enough,"" Narell points out, ""there has been very little interaction between calypsonians and small jazz bands since the 50s. Relator and I are drawing a lot of inspiration from the idea of picking up where Kitchener left off 50 years ago.""","[""Drum"", ""Jazz"", ""Music"", ""Musical instrument"", ""Steelpan""]","[""instrumental"", ""fast tempo"", ""intense drumming"", ""infectious drumming"", ""percussive instrumental"", ""piano accompaniment"", ""congas"", ""bongos"", ""steel pan"", ""percussion instruments"", ""cymbals"", ""upbeat"", ""lively catchy"", ""energetic"", ""enthusiastic"", ""hand percussions"", ""piano accompaniment""]",7,WCl93HBuj60,3075