video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid
https://www.youtube.com/watch?v=4TXy2i036LU&start=30&end=40,"{""label"":""Damien Rice - Hypnosis [Official Music Video]"",""href"":""https://www.youtube.com/watch?v=4TXy2i036LU&start=30&end=40""}",This song contains drums with a deep and strong but jet soft kick sound with a snare that sounds muted. An upright bass or e-bass is playing a line along. A e-guitar is strumming a chord progression along with a piano. A male voice is singing in the midrange sounding sensitive and honest. Panned to both sides of the speakers two trumpets are playing a melody in the lower to mid-range. This song may be playing in a beautiful romantic art video.,2015-09-08T14:20:00Z,Damien Rice,"Damien Rice's ""Hypnosis"" from Kahlil Gibran's The Prophet Soundtrack available now at http://smarturl.it/TheProphetSoundtrack.

Follow Damien Rice on:
Facebook https://DamienRice.lnk.to/Facebook
Twitter https://DamienRice.lnk.to/Twitter 
Instagram https://DamienRice.lnk.to/Instagram
YouTube https://DamienRice.lnk.to/YouTube

https://DamienRice.lnk.to/Website","[""Blues"", ""Music""]","[""pop"", ""e-guitar"", ""strumpets"", ""upright bass"", ""drums"", ""piano"", ""male voice singing"", ""medium to uptempo"", ""sensitive""]",6,4TXy2i036LU,573
https://www.youtube.com/watch?v=DGbMEkQerYs&start=30&end=40,"{""label"":""Sweet Soul Music 31 Scorching Classics 1964"",""href"":""https://www.youtube.com/watch?v=DGbMEkQerYs&start=30&end=40""}","A male voice is singing along to a blues/rock bassline and acoustic drums. A e-guitar and a banjo are playing the same melody as the bass. All the instruments are playing when the male voice is not singing. Then after fading out a new song starts with a percussive sound, an upright bass, piano and a female voice singing.This song may be playing in a bar.",2009-11-28T18:40:58Z,BearFamilyRecords,"Various Artists
Sweet Soul Music 29 Scorching Classics 1964
(1-CD DigiPac with 96-page booklet. 29 tracks, playing time: 79:48) -- Here comes the eagerly anticipated sequel to our first five volumes of 'Sweet Soul Music,' as well as the highly acclaimed, award-winning R&B series 'Blowin' The Fuse.' This is ehe sound that influences musicians who weren't even born when it came out, like Amy Winehouse and Joss Stone! All the greatest and most influential soul hits of the 1960s, including some surprisingly hard-to-find selections! Every song is the original version. The ultimate soul collection spread across ten individual CDs! The soul-searing soundtrack to the 1960s! Massive, beautifully illustrated booklets with detailed notes, incredible vintage photos, and ephemera. -- Over the course of ten spectacular years, R&B morphed into soul music with a side order of funk, and became the soundtrack to a social revolution. The riveting story of that incredible decade is told in full for the first time on Bear Family's 'Sweet Soul Music' series. Some record companies have compiled anthologies from their own vaults, but Bear Family has gone the extra mile... and then some, licensing classic recordings from virtually every record label at the epicenter of '60s soul to compile the greatest hits with the finest sound quality. -- The second five volumes, available now, cover the years 1966-1970. Though gospel remained the bedrock of soul music, the sound was transforming fast, thanks to Motown, Stax, the regional innovations of Chicago, New Orleans, and Muscle Shoals, and the funk revolution, led by James Brown and Sly & The Family Stone. The civil rights and antiwar movements were now rolling full speed ahead, and the messages at the heart of the music were often as powerful and invigorating as the grooves themselves. The second half of this incredible story is just as fascinating as the first. Bill Dahl's track-by-track commentary provides extensive biographical info on every artist on every disc. -- The prelude to this series, 'Blowin' The Fuse,' definitively covered the history of R&B from 1945- 1960, garnering awards and general acclaim. The first five volumes of 'Sweet Soul Music' earned the same enthusiastic response. Now here come the other five jam-packed volumes of 'Sweet Soul Music,' compiled with love by Dave 'Daddy Cool' Booth. -- Hits' Too many to mention! Consult the track listing! -- / -- (1-CD DigiPac mit 96-seitigem Booklet. 29 Titel, Spieldauer: 79:48) Nun kommt endlich der zweite Teil des Projekts 'Sweet Soul Music' ' der legitime Nachfolger unserer preisgekrönten 'Blowin' The Fuse'-Reihe und liefert mehr von jenem Sound, der u.a. Amy Winehouse und Joss Stone beeinflußte ' aus einer Zeit, als die beiden noch gar nicht geboren waren! Die größten und wegweisendsten Soul-Hits der Sixties im Original, Raritäten inklusive. Wir meinen: die beste Soul-Compilation aller Zeiten auf insgesamt 10 Einzel-CDs, der bewegendste Soundtrack für die 60er Jahre! Opulente, großartig illustrierte Booklets mit detaillierten Begleittexten, Super-Fotos und Erinnerungsstücken! -- Innerhalb von zehn aufregenden Jahren wandelte sich der R&B in Soul (Funk-Abstecher inklusive) und mutierte zum Soundtrack für eine soziale Revolution. Die kompakte Geschichte jenes unglaublichen Jahrzehnts wird erstmals umfassend musikalisch erzählt ' in unserer 'Sweet Soul Music'-Reihe. Schon viele Firmen haben Soul-Anthologien mit ihrem eigenen Material veröffentlicht, aber die Bear-Family-Serie legt noch eine mächtige Schippe drauf ' indem quer über Labelgrenzen die entscheidendsten Aufnahmen und wichtigsten Hits lizensiert wurden. Jetzt gibt es sie alle in bestmöglicher Klangqualität. -- Der zweite Fünfer-Pack, der jetzt vorliegt, deckt die Jahre 1966 bis 1970 ab. Klar, Gospel blieb der Ursprung des Soul ' doch der Sound veränderte sich sehr schnell: dank Labels wie Motown und Stax, dank der regionalen Aktivitäten in Chicago, New Orleans, Muscle Shoals und als Folge der Funk-Revolution, angeführt von James Brown und Sly & The Family Stone. -- Die Bürgerrechts- und Anti-Kriegs-Bewegungen hatten ihre Hoch-Zeit ' und die Botschaften waren oftmals so kraftvoll und eindringlich wie die Musik selbst. Teil 2 dieser musikgeschichtlichen Dokumentation steht der Faszination des ersten um nichts nach. Bill Dahls Begleittexte zu jedem einzelnen Song enthalten u.a. biographische Informationen zu allen vertretenen Künstlern. -- Die Vorgängerserie 'Blowin' The Fuse' hat sich detailliert mit den Jahren 1945 bis 1960 beschäftigt ' und dafür viel Lob und auch Auszeichnungen erhalten. Auf die ersten 5 CDs von 'Sweet Soul Music' gab es bereits vergleichbar überwältigende Reaktionen. Hier folgen die 5 weiteren Discs ' kenntnisreich und liebevoll zusammengestellt von Dave 'Daddy Cool' Booth. -- Einzelne Höhepunkte' Es sind zu viele, um sie hervorzuheben. Ein Blick aufs Tracklisting spricht für sich...","[""Music"", ""Pop music"", ""Soul music""]","[""rock&roll/soul"", ""e-guitar"", ""e-bass"", ""acoustic guitar"", ""piano"", ""banjo"", ""two songs"", ""male voice singing"", ""female voice singing"", ""upright bass"", ""medium to uptempo""]",6,DGbMEkQerYs,1458
https://www.youtube.com/watch?v=Qu76GhRO9Yk&start=20&end=30,"{""label"":""6 WHITE BOOMERS 2013"",""href"":""https://www.youtube.com/watch?v=Qu76GhRO9Yk&start=20&end=30""}",This song contains a piano playing short rhythmic chords along with an acoustic guitar and an upright bass playing the same melody. A brass melody is opening the scene. sound  A male voice is singing in a higher register. This song may be playing while celebrating with the whole family on a national holiday.,2014-11-25T23:03:53Z,Snapshot 21st Century,,"[""Brass instrument"", ""Trumpet""]","[""country"", ""acoustic guitar"", ""piano"", ""acoustic drums"", ""upright bass"", ""male voice singing"", ""higher key"", ""brass"", ""uptempo"", ""uplifting energy""]",6,Qu76GhRO9Yk,2648
https://www.youtube.com/watch?v=qEGNzCWQdqo&start=30&end=40,"{""label"":""Gilberto Mazzi - Dove sei Lulù (con testo).wmv"",""href"":""https://www.youtube.com/watch?v=qEGNzCWQdqo&start=30&end=40""}",A brass section is playing a melody along with a lead trumpet. In the background you can hear strings playing in the mid to high range. An upright bass is holding the rhythmic side of the song. A piano is playing the same melody as the male singer. This song may be playing in a retro bar.,2013-02-05T18:27:36Z,Melodieantiche di Fausto Cartoni,"GILBERTO MAZZI -- DOVE SEI LULU'; di Mascheroni-Marf; 1939; Orchestra Cetra diretta dal Maestro Pippo Barzizza; Parlophon GP 92968; dal film ""Imputato alzatevi"".

TESTO DELLA CANZONE E BIOGRAFIA DELL'INTERPRETE

TESTO:
Da una settimana m'è scappata
e se n'è andata,
non so perché.
Era tutta quanta la mia vita,
ora è fuggita,
non so dov'è.

Dove sei, Lulù?
Cosa fai, Lulù?
A Parigi
sei con Pippo oppur con Gigi?
Dove sei, Lulù?
Cosa fai, Lulù?
Sei tu forse a Gorgonzola
con Nicola?
Sei tu in giro per Rovigo,
con Pancrazio o con Arrigo,
o sei forse a Persiceto
con Felice od Anacleto?
Dove sei, Lulù?
Cosa fai, Lulù?
Non lo so, ma senza te non vivo più.

""Mancia competente a chi la trova!""
Ma a nulla giova,
chissà dov'è?!
Ora ho già perduta ogni speranza,
soffro a distanza,
pensando a te.

Dove sei, Lulù?
Cosa fai, Lulù?
A Parigi
sei con Pippo oppur con Gigi?
Dove sei, Lulù?
Cosa fai, Lulù?
Sei tu forse a Gorgonzola
con Nicola?
Sei tu in giro per Rovigo,
con Pancrazio o con Arrigo,
o sei forse a Persiceto
con Felice od Anacleto?
Dove sei, Lulù?
Cosa fai, Lulù?
Non lo so, ma senza te non vivo più.

BIOGRAFIA (da Wikipedia):
Gilberto Mazzi (Alessandria, 3 gennaio 1909 -- Roma, 8 giugno 1978) è stato un cantante e attore italiano.
Alla prima Gara nazionale per gli artisti della canzone bandita dall'EIAR nell'ottobre 1938, il ventinovenne Mazzi si classifica tra i quattordici vincitori prendendo parte, il 18 gennaio 1939, con le orchestre di Angelini, Barzizza e Tito Petralia alla loro prima trasmissione radiofonica. Dotato di una voce intonata e gradevole, Gilberto Mazzi inizia una carriera da cantante il cui punto più alto coincide con il grande successo della canzone Mille lire al mese, che lo conduce poi a partecipare a numerosi spettacoli di varietà, fra cui Non c'è radio senza spine (1940), Clan (1941). Nel 1948 entra a far parte della Compagnia del Teatro Comico Musicale di Radio Roma della RAI, suoi compagni sono Isa Bellini, Wanda Tettoni, Raffaele Pisu, Giusi Raspani Dandolo, ed altri, con la direzione di Riccardo Mantoni, producendo una grande quantità di spettacoli radiofonici per buona parte degli anni cinquanta. Successivamente viene richiesto anche dal cinema, dove viene utilizzato in modesti ruoli di caratterista. In un film degli anni sessanta si firma con lo pseudonimo Gilbert Mash. Attivo anche nel doppiaggio, ma in modo saltuario. In televisione ha fatto parte del cast dello sceneggiato televisivo del 1962 diretto da Anton Giulio Majano Una tragedia americana. Nel 1968 ha recitato con il Quartetto Cetra in Non cantare, spara.
È sepolto nel Cimitero Flaminio di Roma.","[""Swing music"", ""Music""]","[""old recording"", ""brass section"", ""string section"", ""piano"", ""upright bass"", ""male voice singing"", ""uptempo"", ""uplifting mood""]",6,qEGNzCWQdqo,4767