video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid
https://www.youtube.com/watch?v=P5tsRM1iokA&start=30&end=40,"{""label"":""BEYOND THE REEF 02 - FENDER 400"",""href"":""https://www.youtube.com/watch?v=P5tsRM1iokA&start=30&end=40""}","Someone is playing a melody on a slide guitar over a backing track containing an uptight bass, acoustic guitar and mild acoustic drum groove. This song may be playing outside on a sunny day practicing guitar.",2011-11-09T13:23:22Z,DaveB11th,"I learned this song from Basil Henriques, using his A7th setup...

http://www.youtube.com/watch?v=8ceno6hM1IA&feature=related

I have used his pedal setup for a long time, but never knew how to use the 3rd pedal that raises strings 1 and 2 a whole tone until recently. This is a really pretty song to learn. I have more information about this tuning and pedal setup on my website at steelc6th.com.

I also tabbed out this song for anyone who wants to learn the A7th tuning. I slowed down Basil's rhythm track using a program called ""MixCraft"" so I could play along easier. A link to the original track is on my web.

I like hats and try different one's here and there. I call this my Bill Lawrence hat. I have a BL 710 pickup in my S-10 ShoBud with the white fretboard. Bill's a genius guitar pickup inventor. Here's a video of him played in 2008 at a NAMM show... 

http://www.youtube.com/watch?v=rHIZMuNhF5s

On this particular Fender 400 guitar (which is as old as I am), I have 10 pedals. I actually have Basil's 3rd, 4th and 5th pedals down on 8, 9 and 10 for leg comfort. So I can use either pedals 4 and 5 or 8 and 9 to lower strings 2 and 6, respectively. That makes it a lot easier for me while playing. Pedals 1 and 2 are unchanged. I also used pedal 6 to raise string 1 by itself a whole tone, which I use in the song in a few places. Also, I only lower strings 2 and 4 a half tone, respectively, with pedals 8 and 9 because the pedals are way too tight when pressed together; so I don't lower strings 6 and 8 with pedals 8,9; but I DO lower strings 2 and 6 with pedal 4 (my C6th pedal), and strings 4 and 8 with pedal 5 (My A6th pedal) as Basil does. When I need to press both pedals, that is 4 and 5 together, I press 8 and 9. The pedal is still a bit tight, but not as bad as pressing pedals 4 and 5 (which lowered 4 and 8 also. On my ShoBud, I can lower multiple strings like butter, and it's not a concern; but the pedals are close together and that is more uncomfortable. So each guitar has its pros and cons. 

Ideally, it would be best to set up a more modern S-10 pedal steel with 5 pedals and 5 knees to handle this tuning. That way you can arrange everything comfortably and with ease of use if you choose a good manufacturer. Unfortunately, many steel guitar builders are cheap, others are arrogant because some big names play their brand and have become sloppy and careless in their work, and others just don't know what they're doing. I've been burned numerous times. 

The A7th tuning is not for everyone. If you need tablature and for someone to explain everything to you, it's not available for this tuning simply because it's not a standard tuning used by millions of people (as is E9th and C6th). I only know two people using this A7th tuning setup, Basil Henriques and me. It's not complicated, just different. I chose to give up my pedal C6th and go to pedal A7th because I love Hawaiian music.","[""Music"", ""Musical instrument"", ""Steel guitar, slide guitar"", ""Plucked string instrument""]","[""folk/county"", ""amateur recording"", ""backing track"", ""slide guitar"", ""slow tempo"", ""relaxing""]",6,P5tsRM1iokA,2506
https://www.youtube.com/watch?v=msnm_tYXcYw&start=40&end=50,"{""label"":""Is This Love?"",""href"":""https://www.youtube.com/watch?v=msnm_tYXcYw&start=40&end=50""}",This audio contains someone playing a melody on steeldrums along to a backing track containing an e-bass playing a melody along with an e-guitar. A kick is being played on every beat. This song may be played on the streets by a busker.,2011-03-22T14:37:55Z,Steel Drum Music,"Bob Marley's classic reggae hit played in 2011 at the Harbor Beach Marriott, Fort Lauderdale, Florida. This song is featured on the 'Steel Drum Rub-a-Dub: Bob Marley Tribute' album. You can get it at:
iTunes - http://bit.ly/aE3djW
Amazon - http://bit.ly/cgT7rA
or directly from Bob Lyons' web site: http://www.SteelDrumMusic.net","[""Music"", ""Musical instrument"", ""Percussion"", ""Steelpan""]","[""amateur recording"", ""reggae"", ""backing track"", ""e-bass"", ""acoustic drums"", ""steel drums"", ""e-guitar"", ""medium to uptempo""]",6,msnm_tYXcYw,4497
https://www.youtube.com/watch?v=wKoFJHb2BoI&start=30&end=40,"{""label"":""Test : Guitar Kit with Clean sound By LocalHero"",""href"":""https://www.youtube.com/watch?v=wKoFJHb2BoI&start=30&end=40""}","Someone is playing a solo on a clean e-guitar along with a backing track that sounds like a slow soulful, sad ballad with strings,bass, acoustic drums and an e-guitar strumming single chords as a rhythmic instrument. This song may be played outside by a busker.",2009-09-24T11:14:20Z,Korrakote Rodrat,"Guitar Kit with Clean sound By LocalHero

รั่วอยู่เยอะครับ ไม่ต้องสนใจ ฟังซาวด์ ฟังโทนของกีตาร์ก็พอครับ ฮ่าๆ ^_^""","[""Bass guitar"", ""Electric guitar"", ""Guitar"", ""Music"", ""Musical instrument"", ""Plucked string instrument""]","[""soul/ballad"", ""backing track"", ""e-guitar"", ""slow tempo"", ""sensual""]",6,wKoFJHb2BoI,5255
https://www.youtube.com/watch?v=xJYBA7VTkHA&start=70&end=80,"{""label"":""Steel Drum Players | Caribbean Music in Atlanta, Georgia"",""href"":""https://www.youtube.com/watch?v=xJYBA7VTkHA&start=70&end=80""}",Someone is playing a loud melody on a steeldrum along to a backing track with a lot of percussion and an upright bass. This song may be playing at a beach concert.,2011-09-12T21:03:18Z,PartyPOP,"http://www.partypop.com/vendor.htm/4114102
Paul Vogler - Steel Drum Players

www.paulvogler.com

Paul Vogler's musican days began in 1967 as drummer in rock & roll garage band, Jynx. In the mid 1970's Paul backed up magician Steven Calder & played parties & coffee houses in Washington, DC. In 1977 Paul came home to Atlanta joining Possum Trot, an eclectic/electric bluegrass band. Possum Trot played Burt Reynolds club & cast parties for both Kristy McNichol & Jody Foster. They also played on the sets of Don Knox & Tim Conway's 1979 movie: The Prize Fighter & and at the famed Alex Cooley's: Electric Ballroom. Possum Trot were regulars on River Street in Savannah, GA. Possum Trot opened/appeared with The Nitty Gritty Dirt Band, Elvin Bishop & others.

In the 1980's, Paul did a short stint playing New Wave venues, including Athens GA's 40 watt Club & a host of colleges and clubs throughout the Southeast. Returning to college to finish his degrees in music , Paul began playing jazz. As a jazz musician, Paul Vogler has appeared on the bill with Thelonius Monk Jr., Dr. Billy Taylor & The New York Voices.

Paul Vogler was pecussionist in the 90's band ""Radio Kings"", catering to the swing dance craze of the time. Also, during that time, Paul assisted in the creation of The Bessie Bus"", a mobile jazz and blues education program, winner of the 1997 Dorothy Mullen National Arts Award. He also helped produce ""When the Spirit Moves"", a traveling exhibit of the National Afro-American Museum, exhibited in the United States (including the Smithsonian Institution in Washington, DC) and traveling internationally through the US State Department.

""Our Minds Are On Georgia"" a grant-funded program incorporating writing blues lyrics and producing a CD; designed to meet 3rd grade curriculum requirements for the Georgia unit of study was co-created by Paul. Paul continued composing, arranging and producing music and video for museums, educational programs and institutions including: Georgia Music Hall of Fame, Tennessee Aquarium, S.T.A.R.S. (Students Taking A Right Stand), Hamilton Beech Corporation and Americus Records. He also expanded into exhibit development and consulting for museums including: Atlanta Children's Museum, Atlanta History Center, Georgia Music Hall of Fame, Miami Children's Museum, Five Points Museum, Denver, CO and Creative Discovery Museum, Chattanooga, TN.

In the mid 1990's the islands called to Paul and he began playing steel pan, appearing on the bill with such greats as Ziggy Marley. Paul currently resides in Atlanta, GA with his wife, daughter, and dog Hank. Paul lectures and teaches Percussion, World Music, Jazz, and Electronic Music at several Colleges and Universities, as well as teaching as a private tutor. Paul's' original company, Lake Productions, continues to act as a consultant, recording for various bands and individuals. Paul maintains an active performance schedule as a steel pan player & jazz musician. 

Find More Steel Drum Players in Atlanta:
http://www.partypop.com/d/Party/Steel-Drum-Players/Atlanta","[""Drum"", ""Music"", ""Musical instrument"", ""Steelpan"", ""Inside, small room""]","[""caribbean"", ""steeldrums"", ""backing track"", ""amateur recording""]",6,xJYBA7VTkHA,5316