video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid
https://www.youtube.com/watch?v=0TiEO149Ydc&start=30&end=40,"{""label"":""The Wild Reeds: NPR Music Tiny Desk Concert"",""href"":""https://www.youtube.com/watch?v=0TiEO149Ydc&start=30&end=40""}",The low quality recording features a live performance of an Alternative/Indie song and it consists of passionate female vocal singing over acoustic guitar strummed chord and wooden percussive element. The recording is noisy and the vocal is slightly moving throughout the stereo image making it unbalanced. It sounds passionate and emotional.,2015-11-20T18:04:16Z,NPR Music,"November 20, 2015 by BOB BOILEN 
Great singers aren't easy to come by, so finding three in one band is something special. The Wild Reeds' music shines when Sharon Silva, Kinsey Lee and Mackenzie Howe harmonize, but each also takes a leading role — and that's the power of the L.A. band, whose songs are clear and memorable, potent and sometimes delicate.

The Wild Reeds' 2014 debut album Blind And Brave only hints at the talent on display here. Here, the group opens with my favorite song from the record, ""Where I'm Going,"" and then offers a taste of 2016 with two new ones. Next year ought to be a big year for The Wild Reeds, and this Tiny Desk Concert will show you what I mean.

Blind And Brave is available now. 
iTunes: https://itunes.apple.com/us/album/blind-and-brave/id907588390
Amazon: http://www.amazon.com/Blind-Brave-The-Wild-Reeds/dp/B00MKFKGES

Set List
""Where I'm Going""
""Everything Looks Better In Hindsight""
""The World We Built""

Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR

For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video","[""Jazz"", ""Music""]","[""low quality"", ""noisy"", ""alternative/indie"", ""wooden percussive element"", ""acoustic guitar strummed chord"", ""passionate female vocal"", ""emotional"", ""passionate"", ""live performance"", ""unbalanced stereo image""]",4,0TiEO149Ydc,173
https://www.youtube.com/watch?v=DVuWm53IlVw&start=30&end=40,"{""label"":""macanita (1er parte) en jerez 2007"",""href"":""https://www.youtube.com/watch?v=DVuWm53IlVw&start=30&end=40""}","The low quality recording features a live performance of an aggressively strummed Spanish guitar and passionate female vocal singing on top of it. It is very noisy, but it sounds passionate and emotional.",2007-04-22T17:43:07Z,Emilio Ancel,macanita (1er parte) en jerez 2007,"[""Singing"", ""Folk music"", ""Acoustic guitar"", ""Music"", ""Steel guitar, slide guitar""]","[""low quality"", ""aggressive spanish guitar chord progression"", ""noisy"", ""live performance"", ""passionate female vocal"", ""passionate"", ""emotional""]",4,DVuWm53IlVw,1485
https://www.youtube.com/watch?v=JOhK7oq9KtU&start=30&end=40,"{""label"":""Hindi Zahra no Brasil - Music.MP4"",""href"":""https://www.youtube.com/watch?v=JOhK7oq9KtU&start=30&end=40""}","The low quality recording features a live performance of an indie song and it contains passionate female vocal singing over arpeggiated electric guitar melody and shimmering shakers. It is a bit noisy, there are some crowd noises and it sounds passionate, emotional and like an intro section of the song.",2011-10-18T09:46:24Z,Danilo de Oliveira Azevedo,"Hindi Zahra canta ""Music"" no Show do SESC-Pinheiros, SP, em 14.10.11.

A banda:
Lucile Loison - vocais
Hakim Hamadouche - mandoluth
Thibault Frisoni - guitarra
Silvano Matadin - baixo
Didier Guazzo - bateria

Music 
Hindi Zahra

Music is coming now
feel it dropping to the ground
sounds like my heart beating fast
and free now
it's always running in my veins
till I hear the drums and basses all night
music is coming now
see it everybody moves
till we get thirsty and happy
all we need this time
for the real thing for the real high for the real love
come together now
and rock the ground
give it all to the sound
body soul and mind
until you get down
now I know what you're longing for
what you're waiting for
for the right time for the real thing

4x
move until you feel it
and move until you feel

there's no limit no rules between you and that
there's no lines no lights
so keep it alive keep it high
and make it yours and rock the ground one, two times
rock the ground and give it all to the sound
your body and your soul your mind
and get free now
for the real thing for the real high for the real love
you better, better, better, better now
rock the ground one two times,
until you feel it
rock the ground one two times
until you feel it
for the real thing for the real love for the real high

4x
move until you feel it
and move until you feel

5x
freedom is one way road

until you get there

freedom is one way road","[""Music"", ""Vocal music"", ""Tender music""]","[""low quality"", ""crowd noises"", ""noisy"", ""indie"", ""live performance"", ""passionate female vocal"", ""shimmering shakers"", ""arpeggiated electric guitar melody"", ""emotional"", ""passionate"", ""intro""]",4,JOhK7oq9KtU,1999
https://www.youtube.com/watch?v=QZoclbefgak&start=30&end=40,"{""label"":""Chuck Berry and Etta James - Rock N Roll Music"",""href"":""https://www.youtube.com/watch?v=QZoclbefgak&start=30&end=40""}","The low quality recording features a live performance of a rock & roll song performed by passionate female vocal and male vocal ad libs, followed by groovy piano melody, funky electric guitar melody, groovy bass guitar, shimmering hi hats, punchy snare and soft kick hits. It is a bit noisy and there are some subtle microphone feedback sounds in the middle of the performance. It sounds energetic, vintage and passionate.",2012-03-10T00:09:38Z,John1948ThreeA,"Chuck Berry (Charles Edward Anderson Berry - born Oct. 18, 1926, St. Louis, Mo., U.S.) singer, songwriter, and guitarist who was one of the most popular and influential performers in rhythm-and-blues and rock-and-roll music in the 1950s, '60s, and '70s.

Raised in a working-class African-American neighbourhood on the north side of the highly segregated city of St. Louis, Berry grew up in a family proud of its African-American and Native-American ancestry. He gained early exposure to music through his family's participation in the choir of the Antioch Baptist Church, through the blues and country-western music he heard on the radio, and through music classes, especially at Sumner High School. Berry was still attending high school when he was sent to serve three years for armed robbery at a Missouri prison for young offenders. After his release and return to St. Louis, he worked at an auto plant, studied hairdressing, and played music in small nightclubs. Berry traveled to Chicago in search of a recording contract; Muddy Waters directed him to the Chess brothers. Leonard and Phil Chess signed him for their Chess label, and in 1955 his first recording session produced Maybellene (a country-and-western-influenced song that Berry had originally titled Ida Red), which stayed on the pop charts for 11 weeks, cresting at number five. Berry followed this success with extensive tours and hit after hit, including Roll Over Beethoven (1956), School Day (1957), Rock and Roll Music (1957), Sweet Little Sixteen (1958), Johnny B. Goode (1958), and Reelin' and Rockin' (1958). His vivid descriptions of consumer culture and teenage life, the distinctive sounds he coaxed from his guitar, and the rhythmic and melodic virtuosity of his piano player (Johnny Johnson) made Berry's songs staples in the repertoire of almost every rock-and-roll band.

At the peak of his popularity, federal authorities prosecuted Berry for violating the Mann Act, alleging that he transported an underage female across state lines for immoral purposes. After two trials tainted by racist overtones, Berry was convicted and remanded to prison. Upon his release he placed new hits on the pop charts, including No Particular Place to Go in 1964, at the height of the British Invasion, whose prime movers, the Beatles and the Rolling Stones, were hugely influenced by Berry (as were the Beach Boys). In 1972 Berry achieved his first number one hit, My Ding-A-Ling. Although he recorded more sporadically in the 1970s and '80s, he continued to appear in concert, most often performing with backing bands comprising local musicians. Berry's public visibility increased in 1987 with the publication of his book Chuck Berry: The Autobiography and the release of the documentary film Hail! Hail! Rock n' Roll, featuring footage from his 60th birthday concert and guest appearances by Keith Richards and Bruce Springsteen.

Berry is undeniably one of the most influential figures in the history of rock music. In helping to create rock and roll from the crucible of rhythm and blues, he combined clever lyrics, distinctive guitar sounds, boogie-woogie rhythms, precise diction, an astounding stage show, and musical devices characteristic of country-western music and the blues in his many best-selling single records and albums. A distinctive if not technically dazzling guitarist, Berry used electronic effects to replicate the ringing sounds of bottleneck blues guitarists in his recordings. He drew upon a broad range of musical genres in his compositions, displaying an especially strong interest in Caribbean music on Havana Moon (1957) and Man and the Donkey (1963), among others. Influenced by a wide variety of artists—including guitar players Carl Hogan, Charlie Christian, and T-Bone Walker and vocalists Nat King Cole, Louis Jordan, and Charles Brown—Berry played a major role in broadening the appeal of rhythm-and-blues music during the 1950s. He fashioned his lyrics to appeal to the growing teenage market by presenting vivid and humorous descriptions of high-school life, teen dances, and consumer culture. His recordings serve as a rich repository of the core lyrical and musical building blocks of rock and roll. In addition to the Beatles and the Rolling Stones, Elvis Presley, Buddy Holly, Linda Ronstadt, and a multitude of significant popular-music performers have recorded Berry's songs.

SOURCE:  http://www.biography.com/articles/Chuck-Berry-9210488?part=1

PLEASE NOTE:  I divided my uploads among multiple channels,  Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics.   LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index","[""Singing"", ""Music"", ""Pop music"", ""Rock music"", ""Ska"", ""Song"", ""Rock and roll""]","[""low quality"", ""male vocal ad libs"", ""passionate female vocal"", ""shimmering hi hats"", ""punchy snare"", ""soft kick"", ""groovy bass guitar"", ""funky electric guitar melody"", ""groovy piano melody"", ""rock & roll"", ""live performance"", ""subtle microphone feedback"", ""noisy"", ""energetic"", ""passionate"", ""vintage""]",4,QZoclbefgak,2628
https://www.youtube.com/watch?v=s5kz8qg4B2Y&start=210&end=220,"{""label"":""Don't Stop Believin' Karaoke"",""href"":""https://www.youtube.com/watch?v=s5kz8qg4B2Y&start=210&end=220""}","The low quality recording features a live performance of a rock song that consists of a passionate male vocal, followed by passionate female vocal singing over shimmering cymbals, mellow snare and kick hits, electric guitar melody and groovy bass guitar. It sounds distant, reverberant, but also energetic.",2008-11-26T18:49:47Z,camelllamamoose,"This is a very rough version of a karaoke version of Don't Stop Believin' by Journey

If you listen carefully you can hear the vocals in the background","[""Punk rock"", ""Rock music""]","[""low quality"", ""rock"", ""live performance"", ""passionate male vocal"", ""passionate female vocal"", ""shimmering cymbals"", ""mellow snare"", ""electric guitar melody"", ""groovy bass guitar"", ""mellow kick hits"", ""reverberant"", ""distant"", ""energetic""]",4,s5kz8qg4B2Y,4923