video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid https://www.youtube.com/watch?v=7JE2eBK1f9M&start=110&end=120,"{""label"":""\""Breathtaking Sights\"" - Erik Zilliacus (Piano, Orchestral)"",""href"":""https://www.youtube.com/watch?v=7JE2eBK1f9M&start=110&end=120""}","This is a contemporary classical music piece. It is an instrumental piece. There is a strings section playing the chords while the violin in the lead is playing a dramatic tune. The piano is playing accentuated notes. There is a percussion line in the rhythmic background. There is a dramatic atmosphere that is full of suspense. This piece could be used in the soundtrack of a sci-fi drama movie, especially during the scenes where a big revelation is about to take place.",2014-06-26T09:56:05Z,TheMusicFlowChannel,"This was composed by Erik Zilliacus. For more music by the composer: https://youtube.com/user/drunkensailorful SoundCloud: https://soundcloud.com/erik-zilliacus TheMusicFlowChannel on Facebook: https://facebook.com/TheMusicFlowChannel Wallpaper: http://mediafire.com/convkey/73fa/mr0n5n56236eea4fg.jpg?size_id=a * TMFC has the permission to promote ""Breathtaking Sights"" by Erik Zilliacus. *","[""Orchestra""]","[""contemporary classical"", ""no singer"", ""instrumental"", ""violin"", ""strings"", ""piano"", ""percussion"", ""repeated theme"", ""dramatic"", ""suspense""]",9,7JE2eBK1f9M,828 https://www.youtube.com/watch?v=Ade0UZnb6dw&start=30&end=40,"{""label"":""Adabu Steven - \""NANAI\"" [Official Music Video]"",""href"":""https://www.youtube.com/watch?v=Ade0UZnb6dw&start=30&end=40""}",This is a modern sounding Afrobeat music piece. There is a male vocal singing the same line repeatedly vocal with a male back vocal ad-libbing in the background. The electric guitar is playing a mellow tune. A low-to-medium range bass line that can be heard. The rhythm consists of an acoustic drum beat with supporting percussive elements. Brass stabs can be heard every now and then. The atmosphere is groovy. This piece could be played at African nightclubs or dance clubs.,2016-05-28T06:28:06Z,Adabu Steven,"Adabu Steven - ""Nanai"" (Official Music Video) Music video by ADABU STEVEN performing NANAI Prod: by Njenga Giggz (xtrim record) Dir: by Dangfilms Adabu steven (c) 2016 ADABU THE BEST ENT . https://www.instagram.com/adabusteven/ https://www.facebook.com/Adabu-Steven-276248899191596/?ref=settings https://mobile.twitter.com/adabusteven #adabumusic #houston","[""Blues"", ""Music"", ""Dance music""]","[""afrobeat"", ""modern sound"", ""male vocal"", ""repeated theme"", ""electric guitar"", ""bass guitar"", ""acoustic drums"", ""percussion"", ""brass stab"", ""energetic"", ""groovy"", ""danceable""]",9,Ade0UZnb6dw,1147 https://www.youtube.com/watch?v=OzaVvthCvtk&start=30&end=40,"{""label"":""Hayati - Jah Wobble & Temple of sound ft.Shahin Badar"",""href"":""https://www.youtube.com/watch?v=OzaVvthCvtk&start=30&end=40""}","This is an Indian folk music piece. There is a haunting female vocal in the lead. There is a group of strings which sound similar to Esraj being heard playing the main tune. In the rhythmic background, there are bell percussion that sound like manjira and membranous percussion that sound like tabla. The atmosphere is trippy. This piece could be used in the soundtrack of an exotic movie or could be sampled to be used in beat-making. It could also be playing in the background of an Indian cuisine restaurant.",2013-02-07T03:16:47Z,Shahin Badar,"HAYATI - Jah Wobble & Temple of Sound Ft.Shahin Badar- Listen to the haunting vocals of Shahin Badar as you have already heard her on Prodigy's No.1 single smack my bitch up ,Tim deluxe's Mundaya & Ar Rahman's Dol Dol & many others .She was invited by the legendary Jah Wobble ( Invaders of the hearts) to collabrate on this wonderful production of Hayati (My Life) .Official music video taken from the Album Shout at the devil.Also released on various lounge Albums/compilations around the world. Video directed by John Wilmor. Actor - Vikas Bhardwarj Location - Mumbai(India) Copyright 30herts Records www.30hertzrecords.com www.shahinbadar.com","[""Music of Asia"", ""Music"", ""Middle Eastern music"", ""Music of Bollywood""]","[""indian folk music"", ""female vocal"", ""haunting"", ""strings"", ""esraj"", ""percussion"", ""manjira"", ""tabla"", ""repeated theme"", ""trippy"", ""hypnotic""]",9,OzaVvthCvtk,2488 https://www.youtube.com/watch?v=YgX85tZf1ts&start=300&end=310,"{""label"":""Sextet, by Steve Reich (FULL PERFORMANCE)"",""href"":""https://www.youtube.com/watch?v=YgX85tZf1ts&start=300&end=310""}","The tune is played by two vibraphones at the same time. The bright character of the instrument gives the piece a playful aura. It could be used as a ringtone or an alarm tone due to its generic, repeated nature.",2015-04-06T19:56:13Z,Vic Firth,"Sextet, by Steve Reich Performed by Yale Percussion Group Jonny Allen | Garrett Arney | Doug Perry | Terry Sweeney | Georgi Videnov | Mari Yoshinaga I. [Fast] - 0:16 II. [Moderate] - 10:13 III. [Slow] - 14:20 IV. [Moderate] - 16:50 V. [Fast] - 20:12 --- ABOUT THE PIECE: Sextet was commissioned by Laura Dean Dancers and Musicians and by the French Government for the Nexus Percussion Ensemble. The first performance under the title Music for percussion and Keyboards was given at the Centre Pompidou in Paris on 19 December 1984 by Nexus with guest artists playing keyboards. The last movement was then revised in January 1985 and the title shortened to Sextet. The American premiere was presented by Laura Dean Dancers and Musicians at Brooklyn Academy of Music’s New Wave Festival on 31 October 1985 as the music for Ms. Dean’s Impact. The American concert premiere by Steve Reich and Musicians was performed on the Great performers Series at Avery Fisher Hall on 20 January 1986. Sextet (1985) for 4 percussionists and 2 keyboard players is score for 3 marimbas, 2 vibraphones, 2 bass drums, crotales, sticks, tam-tam, 2 pianos and 2 synthesizers. The duration is about 28 minutes. The work is in five movements played without pause. The relationship of the five movements is that of an arch form A-B-C-B-A. The first and last movements are fast, the second and fourth moderate and the third, slow. Changes of tempo are made abruptly at the beginning of new movements by metric modulation to either get slower or faster. Movements are also organized harmonically wit the chord cycle for the first and fifth, another for the second and fourth, and yet another for the third. The harmonies used are largely dominant chords with added tones creating a somewhat darker, chromatic and more varied harmonic language were suggested by The Desert Music (1984). Percussion instruments mostly produce sounds of relatively short duration. In this piece I was interested in overcoming that limitation. The use of the bowed vibraphone, not merely as a passing effect, but as a basic instrumental voice in the second movement, was one means of getting long continuous sounds not possible with piano. The mallet instruments (marimba, vibraphone etc) are basically instruments of high and middle register without a low range. To overcome this limit the bass drum was used doubling the piano or synthesizer played in their lower register, particularly in the second, third and fourth movements. Compositional techniques used include some introduced in my music as early as Drumming in 1971. In particular the substitution of beats for rests to ""build-up"" a canon between two or more identical instruments playing the same repeating pattern is used extensively in the first and last movements. Sudden change of rhythmic position (or phase) of one voice in an overall repeating contrapuntal web first occurs in my Six Pianos of 1973 and occurs throughout this work. Double canons, where one canon moves slowly (the bowed vibraphones) and the second moves quickly (the pianos), first appear in my music in Octet of 1979. Techniques influenced by African music, where the basic ambiguity in meters of 12 beats is between 3 groups of 4 and 4 groups of 3, appear in the third and fifth movements. A rhythmically ambiguous pattern is played by vibraphones in the third movement, but at a much faster tempo. The result is to change the perception of what is in fact not changing. Another related, more recent techniques appearing near the end of the fourth movement is to gradually remove the melodic material in the synthesizers leaving the accompaniment of the 2 vibraphones to become the new melodic focus. Similarly the accompaniment in the piano in the second movement becomes the melody for the synthesizer in the fourth movement. The ambiguity here is between which is melody and which is accompaniment. In music which uses a great deal of repetition I believe it is precisely these kinds of ambiguities that give vitality and life — Steve Reich","[""Music"", ""Musical instrument"", ""Marimba, xylophone"", ""Vibraphone"", ""Percussion""]","[""vibraphone"", ""percussion"", ""repeated theme"", ""melodic"", ""playful""]",9,YgX85tZf1ts,3304 https://www.youtube.com/watch?v=lIEnbqr3O34&start=130&end=140,"{""label"":""Ancient Arabian Music – Scheherazade"",""href"":""https://www.youtube.com/watch?v=lIEnbqr3O34&start=130&end=140""}",This is an Arabian themed instrumental music piece. The tune is played by a virtual eastern-sounding instrument while there is a virtual strings backing for the bass notes. The rhythmic background consists of a repeated percussion beat. There is an intriguing feel coming from the back-and-forth movement of the tune. The piece could be used in an eastern historical drama.,2014-12-16T22:33:20Z,Fantasy & World Music by the Fiechters,"Ancient Arabian music about the legendary Persian queen who was the storyteller of the 1001 Nights. This music is called Scheherazade. We hope you enjoy listening to it! *** 👸 If you like this Arabian music, you'll love this playlist: Arabian music & Egyptian music | https://www.youtube.com/playlist?list=PLy_Q-5e78AnwwFIjwYiDNdPS4BXsBSCkq 🔑 Join the fantasy music community by subscribing: https://www.youtube.com/channel/UCjMZjGhrFq_4llVS_x2XJ_w?sub_confirmation=1 🎵 Buy this music here : iTunes : https://itunes.apple.com/us/album/desert-sands/id955931385 Bandcamp : https://dbfiechter.bandcamp.com/album/desert-sands Amazon mp3 : http://www.amazon.com/gp/product/B00REXYZMA 🎧 Listen to this music on Spotify & Pandora: Spotify: https://open.spotify.com/album/1GGd1rZdWOTbEpmAeCeRof Pandora: https://www.pandora.com/artist/various-artists/desert-sands/ALrnh27zKhbwxqc *** This amazing picture is done by René Bull. http://en.wikipedia.org/wiki/One_Thousand_and_One_Nights#mediaviewer/File:Sultan_from_arabian_nights.jpg #arabianmusic #arabicmusic #arabiannights #bellydancemusic ~ Music by Derek & Brandon Fiechter ~","[""Music"", ""Middle Eastern music"", ""Sitar""]","[""arabian"", ""eastern"", ""instrumental"", ""strings"", ""percussion"", ""repeated theme"", ""rhythmic"", ""intriguing""]",9,lIEnbqr3O34,4391 https://www.youtube.com/watch?v=liuCTk2nPG8&start=30&end=40,"{""label"":""Lipps Inc. - Funkytown (lyrics)"",""href"":""https://www.youtube.com/watch?v=liuCTk2nPG8&start=30&end=40""}",This is a famous disco piece. There are female vocals singing the lyrics joyfully. The main tune is played in major scale by a keyboard while it is supported by a syncopated synth bass in the background. The rhythm is kept by a repetitive electronic drum beat accompanied by percussion. The atmosphere is groovy and danceable. It is perfect for an 80s themed party setlist. It could also be playing in the background of an 80s themed bar.,2008-06-28T05:10:53Z,Pippygal44,Lipps Inc. - funkytown with lyrics.,"[""Music"", ""/t/dd00032""]","[""pop"", ""disco"", ""female vocals"", ""electronic drums"", ""percussion"", ""keyboard"", ""synth bass"", ""dance"", ""groovy"", ""repeated theme""]",9,liuCTk2nPG8,4418