video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid https://www.youtube.com/watch?v=1W2FOzSXsxs&start=30&end=40,"{""label"":""10-year-old Singing 2 A.M. Breath By Anna Nalick"",""href"":""https://www.youtube.com/watch?v=1W2FOzSXsxs&start=30&end=40""}",This low quality audio clip features a female voice singing the main melody. This is accompanied by a piano. There are no other instruments in this song. This song has a story-telling mood and is at a slow tempo. This song can be played in a romantic movie.,2007-06-03T21:41:08Z,francescandemily,"www.twitter.com/francescayemily This is Emily singing ""2 AM Breath"" by Anna Nalick. We know the beginning's bad, but keep listening and it gets better. The beginning's hard because you have to have a lot of breath. Ok, so please, please, please comment! NO CHAIN LETTERS. ~Francescandemily~","[""Music"", ""Child singing""]","[""amateur recording"", ""low quality audio"", ""female voice"", ""piano song"", ""slow tempo"", ""story-telling mood"", ""minimal instruments"", ""no percussion"", ""easy listening""]",0,1W2FOzSXsxs,283 https://www.youtube.com/watch?v=3gh1oldZ7Zc&start=30&end=40,"{""label"":""DIO COMO TI AMO - música"",""href"":""https://www.youtube.com/watch?v=3gh1oldZ7Zc&start=30&end=40""}",This song features a female voice singing the main melody. This is accompanied by a guitar playing arpeggiated chords. A wind instrument plays fills in between lines. There is no percussion in this song. This song has a romantic mood. This song can be played in a romantic movie.,2009-08-07T15:42:24Z,uililopes,"música: DIO COMO TI AMO ============ Dio, come ti amo é uma canção italiana de Domenico Modugno que fez sucesso na voz de Gigliola Cinquetti, que a gravou em 1965. =========== Nel cielo passano le nuvole che vanno verso il mare, sembrano fazzoletti bianchi che salutano il nostro amore. Dio come ti amo! Non è possibile avere fra le braccia tanta felicità. Baciare le tue labbra che odorano di vento, noi due innamorati come nessuno al mondo. Dio come ti amo! Mi vien da piangere, in tutta la mia vita non ho provato mai un bene così caro, un bene così vero. Chi può fermare il fiume che corre verso il mare, le rondini nel cielo che vanno verso il sole, chi può cambiar l'amore l'amore mio per te. Dio come ti amo! Un bene così caro, un bene così vero. Chi può fermare il fiume che corre verso il mare, le rondini nel cielo che vanno verso il sole, chi può cambiar l'amore l'amore mio per te.","[""Music"", ""Sad music""]","[""low quality audio"", ""female voice"", ""acoustic guitar"", ""slow tempo"", ""wind instrument"", ""no percussion"", ""minimal instruments"", ""romantic mood""]",0,3gh1oldZ7Zc,493 https://www.youtube.com/watch?v=Ve6Zy1BXBbY&start=30&end=40,"{""label"":""Mercado Kids Singing Christmas song Mary Did You Know by Mark Lowry"",""href"":""https://www.youtube.com/watch?v=Ve6Zy1BXBbY&start=30&end=40""}",This low quality audio features a child singing the main melody. This is accompanied by other children's voices singing vocables in the background in harmony. An acoustic guitar strums chords. There are no other instruments in this song. This song has a holiday mood. This song can be played in a Christmas movie.,2014-01-01T03:51:21Z,MercadoFamilyMusic,"Hey all! This is our first YouTube upload. We are a sibling group from North Carolina. We love music, performing and most of all we love our Lord and Savior, Jesus Christ. We hope that you enjoy what we have to share. God bless! ~The Mercados Jeremiah 1:5-9 Please like, comment, subscribe and share! Be looking for more videos from us. mercadofamilymusic@gmail.com","[""Christmas music"", ""Singing"", ""Humming"", ""Music"", ""Choir"", ""Vocal music"", ""Child speech, kid speaking""]","[""amateur recording"", ""low quality audio"", ""child's voice"", ""vocables backing"", ""acoustic guitar"", ""no percussion"", ""no other instruments"", ""holiday song"", ""slow tempo""]",0,Ve6Zy1BXBbY,3015 https://www.youtube.com/watch?v=oEJ5bh-OIuU&start=20&end=30,"{""label"":""Eva Hesse"",""href"":""https://www.youtube.com/watch?v=oEJ5bh-OIuU&start=20&end=30""}","This song features two female voices. One of the voices sings an 'ooh' throughout the song. The second voice sings an 'ah' in places. The first time the 'ah' is sung, it is in a dissonant harmony. The second one is in the scale. This is accompanied by a guitar playing arpeggiated chords. There are no lyrics in this song, but only lyrics. There is no percussion in this song. This song can be played in a movie scene where a person is confused after having been forced to make a tough decision.",2010-12-09T18:15:30Z,Elisa Cardellini,"Eva Hesse (1936-1970), was a German-born American sculptor, known for her pioneering work in materials such as latex, fiberglass, and plastics. After graduating from New York's School of Industrial Art in 1952, Hesse studied at New York's Pratt Institute (1952--1953) and Cooper Union (1954--1957), then at the Yale School of Art and Architecture (1957--1959), where she studied under Josef Albers and received a B.F.A. Upon returning to New York she made friends with many young artists. In 1961, she met and married sculptor Tom Doyle. In August 1962 Eva Hesse and Tom Doyle participated in an Allan Kaprow Happening at the Art Students League of New York in Woodstock, New York. There Hesse made her first three dimensional piece: a costume for the Happening. In 1963 Eva Hesse had a one-person show of works on paper at the Allan Stone Gallery on New York's Upper East Side. The couple lived and worked in an abandoned textile mill in the Ruhr region of Germany for about a year during 1964-1965. Hesse was not happy to be back in Germany, but began sculpting with materials that had been left behind in the abandoned factory: first relief sculptures made of cloth-covered cord, electrical wire, and masonite, with playful titles like Eighter from Decatur and Oomamaboomba. Returning to New York City in 1965 she began working in the materials that would become characteristic of her work: latex, fiberglass, and plastics. Eva Hesse had also an interest in drawing as evinced by her numerous workbooks. She was associated with the mid-1960s postminimal anti-form trend in sculpture, participating in New York exhibits such as ""Eccentric Abstraction"" and ""Abstract Inflationism and Stuffed Expressionism"" (both 1966). In September 1968 Eva Hesse began teaching at the School of Visual Arts. Her only one-person show of sculpture in her lifetime was ""Chain Polymers"" at the Fischbach Gallery on W. 57th Street in New York in November 1968; her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit ""Anti-Illusion: Process/Materials"". There have been dozens of major posthumous exhibitions in the United States and Europe, including at The Guggenheim Museum (1972), the San Francisco Museum of Modern Art (2002), The Drawing Center in New York (2006) and the Jewish Museum of New York (2006). Except for fiberglass, most of her favored materials age badly, so much of her work presents conservators with an enormous challenge. Arthur Danto, writing of the Jewish Museum's 2006 retrospective, refers to ""the discolorations, the slackness in the membrane-like latex, the palpable aging of the material... Yet somehow the work does not feel tragic. Instead it is full of life, of eros, even of comedy... Each piece in the show vibrates with originality and mischief."" In 1969 she was diagnosed with a brain tumor. Her death in 1970 ended a career spanning only ten years. Her art is often viewed in light of all the painful struggles of her life including escaping the Nazis, her parents' divorce, the suicide of her mother when she was ten, her failed marriage and the death of her father. Danto describes her as ""cop[ing] with emotional chaos by reinventing sculpture through aesthetic insubordination, playing with worthless material amid the industrial ruins of a defeated nation that, only two decades earlier, would have murdered her without a second thought."" She also always felt she was fighting for recognition in a male dominated art world. Hesse is one of a few artists who led the move from Minimalism to Postminimalism. Danto distinguishes it from minimalism by its ""mirth and jokiness"" and ""unmistakable whiff of eroticism"", its ""nonmechanical repetition"". She was influenced by, and in turn influenced, many famous artists of the 1960s through today. Eva Hesse was for many artists and friends who knew her so charismatic that her memory remains simply unforgettable to this day. (from Wikipedia) Musica: Charalambides, 'Joy Shapes' (2004).","[""Music"", ""Theremin""]","[""low quality audio"", ""female voices"", ""experimental music"", ""guitar"", ""synth"", ""slow tempo"", ""no percussion"", ""psychedelic song"", ""dissonant vocal harmony""]",0,oEJ5bh-OIuU,4612