video,youtube_link,musiccaps_caption,youtube_published,youtube_channel,youtube_description,musiccaps_names,musiccaps_aspects,musiccaps_author,youtube_id,musiccaps_rowid
https://www.youtube.com/watch?v=pz8P96myUZk&start=140&end=150,"{""label"":""Hillsong - Call On Jesus w/ lyrics"",""href"":""https://www.youtube.com/watch?v=pz8P96myUZk&start=140&end=150""}",This contemporary gospel song features a female voice singing the main melody. This is accompanied by percussion playing a simple beat in common time. The bass plays the root nots of the chords. An electric guitar plays fills in between lines. The quality of this audio is low and other instruments cannot be easily identified. This song can be played in a Christian movie.,2008-11-29T18:19:09Z,syshe08,Hillsong - Call On Jesus w/ lyrics,"[""Christian music"", ""Music""]","[""contemporary gospel"", ""low quality audio"", ""country feel"", ""female voice"", ""guitar fill"", ""simple percussion"", ""synth"", ""bass""]",0,pz8P96myUZk,4746
https://www.youtube.com/watch?v=WRZGYDh7qRo&start=60&end=70,"{""label"":""Top 10 songs Gothic Rock, Industrial Metal, EBM, NDH and Futurepop"",""href"":""https://www.youtube.com/watch?v=WRZGYDh7qRo&start=60&end=70""}",This gothic rock song features a male voice singing the main melody. The melody is repetitive for each line. This is accompanied by percussion playing a simple rock beat in common time. A distortion guitar plays power chords. A synth plays a high pitched repetitive melody. This song has a suspenseful feel. This song can be played in a horror movie.,2009-08-13T22:53:50Z,Dyhg,"Top 10 de musica oscura  Gothic Rock, Industrial Metal, EBM, NDH and Futurepop","[""Singing"", ""Heavy metal"", ""Music"", ""Psychedelic rock"", ""Rock music"", ""Song""]","[""gothic rock"", ""male voice"", ""distortion guitar"", ""simple percussion"", ""bass"", ""synth"", ""suspenseful song"", ""moderate tempo""]",0,WRZGYDh7qRo,3094
https://www.youtube.com/watch?v=oEJ5bh-OIuU&start=20&end=30,"{""label"":""Eva Hesse"",""href"":""https://www.youtube.com/watch?v=oEJ5bh-OIuU&start=20&end=30""}","This song features two female voices. One of the voices sings an 'ooh' throughout the song. The second voice sings an 'ah' in places. The first time the 'ah' is sung, it is in a dissonant harmony. The second one is in the scale. This is accompanied by a guitar playing arpeggiated chords. There are no lyrics in this song, but only lyrics. There is no percussion in this song. This song can be played in a movie scene where a person is confused after having been forced to make a tough decision.",2010-12-09T18:15:30Z,Elisa Cardellini,"Eva Hesse (1936-1970), was a German-born American sculptor, known for her pioneering work in materials such as latex, fiberglass, and plastics.
After graduating from New York's School of Industrial Art in 1952, Hesse studied at New York's Pratt Institute (1952--1953) and Cooper Union (1954--1957), then at the Yale School of Art and Architecture (1957--1959), where she studied under Josef Albers and received a B.F.A. Upon returning to New York she made friends with many young artists. In 1961, she met and married sculptor Tom Doyle. In August 1962 Eva Hesse and Tom Doyle participated in an Allan Kaprow Happening at the Art Students League of New York in Woodstock, New York. There Hesse made her first three dimensional piece: a costume for the Happening. In 1963 Eva Hesse had a one-person show of works on paper at the Allan Stone Gallery on New York's Upper East Side.
The couple lived and worked in an abandoned textile mill in the Ruhr region of Germany for about a year during 1964-1965. Hesse was not happy to be back in Germany, but began sculpting with materials that had been left behind in the abandoned factory: first relief sculptures made of cloth-covered cord, electrical wire, and masonite, with playful titles like Eighter from Decatur and Oomamaboomba. Returning to New York City in 1965 she began working in the materials that would become characteristic of her work: latex, fiberglass, and plastics. Eva Hesse had also an interest in drawing as evinced by her numerous workbooks.
She was associated with the mid-1960s postminimal anti-form trend in sculpture, participating in New York exhibits such as ""Eccentric Abstraction"" and ""Abstract Inflationism and Stuffed Expressionism"" (both 1966). In September 1968 Eva Hesse began teaching at the School of Visual Arts. Her only one-person show of sculpture in her lifetime was ""Chain Polymers"" at the Fischbach Gallery on W. 57th Street in New York in November 1968; her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit ""Anti-Illusion: Process/Materials"". There have been dozens of major posthumous exhibitions in the United States and Europe, including at The Guggenheim Museum (1972), the San Francisco Museum of Modern Art (2002), The Drawing Center in New York (2006) and the Jewish Museum of New York (2006).
Except for fiberglass, most of her favored materials age badly, so much of her work presents conservators with an enormous challenge. Arthur Danto, writing of the Jewish Museum's 2006 retrospective, refers to ""the discolorations, the slackness in the membrane-like latex, the palpable aging of the material... Yet somehow the work does not feel tragic. Instead it is full of life, of eros, even of comedy... Each piece in the show vibrates with originality and mischief.""
In 1969 she was diagnosed with a brain tumor. Her death in 1970 ended a career spanning only ten years.
Her art is often viewed in light of all the painful struggles of her life including escaping the Nazis, her parents' divorce, the suicide of her mother when she was ten, her failed marriage and the death of her father. Danto describes her as ""cop[ing] with emotional chaos by reinventing sculpture through aesthetic insubordination, playing with worthless material amid the industrial ruins of a defeated nation that, only two decades earlier, would have murdered her without a second thought."" She also always felt she was fighting for recognition in a male dominated art world.
Hesse is one of a few artists who led the move from Minimalism to Postminimalism. Danto distinguishes it from minimalism by its ""mirth and jokiness"" and ""unmistakable whiff of eroticism"", its ""nonmechanical repetition"". She was influenced by, and in turn influenced, many famous artists of the 1960s through today. Eva Hesse was for many artists and friends who knew her so charismatic that her memory remains simply unforgettable to this day.
(from Wikipedia)

Musica: Charalambides, 'Joy Shapes' (2004).","[""Music"", ""Theremin""]","[""low quality audio"", ""female voices"", ""experimental music"", ""guitar"", ""synth"", ""slow tempo"", ""no percussion"", ""psychedelic song"", ""dissonant vocal harmony""]",0,oEJ5bh-OIuU,4612
https://www.youtube.com/watch?v=75UH33tO0Bo&start=30&end=40,"{""label"":""Riana Nel - Tweede Kans [Official Music Video]"",""href"":""https://www.youtube.com/watch?v=75UH33tO0Bo&start=30&end=40""}",This country song features a female voice singing the main melody. The melody is a contemporary country song melody. This is accompanied by the kick drum playing on every count. A synth is playing a repetitive melody in the background using two note groups. A guitar plays chords in the background. The bass plays the root notes of the chords. The mood of this song is romantic. This song can be played in a romantic movie.,2014-09-04T13:16:41Z,Afrikaans is Groot,"Riana Nel - Tweede Kans Music Video,
Director: Gerhard van Rooyen,
Production Company: Spheratical Productions,
Record Label: Coleske Artists,
2014","[""Blues"", ""Music""]","[""country song"", ""female voice"", ""bass"", ""kick drum"", ""guitar"", ""synth"", ""romantic mood"", ""moderate tempo""]",0,75UH33tO0Bo,809